Birth Chart
Alison Lohman
Alison Marion Lohman
Sun Virgo
Moon Virgo
Ascendant Gemini
Influences in signs
↣ Sun in Virgo - 25°42' - in house 5
↣ Moon in Virgo - 02°10' - in house 4
↣ Mercury in Libra - 00°47' - in house 5
↣ Venus in Libra - 02°24' - in house 5
↣ Mars in Cancer - 26°35' - in house 3
↣ Jupiter in Leo - 27°57' - in house 4
↣ Saturn in Virgo - 18°20' - in house 4/5
↣ Uranus in Scorpio - 18°10' - in house 6
↣ Neptune in Sagittarius - 17°50' - in house 7
↣ Pluto in Libra - 18°13' - in house 5
↣ North Node in Virgo - 08°31' - in house 4
↣ Ascendant in Gemini - 13°41' - in house 1
↣ Midheaven in Aquarius - 23°55' - in house 10
↣ Equatorial Ascendant in Taurus - 28°29'
Influences in houses
↣ Sun in house 5
↣ Moon in house 4
↣ Mercury in house 5
↣ Venus in house 5
↣ Mars in house 3
↣ Jupiter in house 4
↣ Saturn in house 4/5
↣ Uranus in house 6
↣ Neptune in house 7
↣ Pluto in house 5
↣ North Node in house 4
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Mercury conjunction (5°06' separating) parallel
↣ Sun and Venus conjunction (6°42' separating) parallel
↣ Sun and Mars sextile (0°54' applying)
↣ Sun and Saturn conjunction (7°22' separating)
↣ Sun and Equatorial Ascendant trine (2°47' separating)
↣ Moon and Jupiter conjunction (4°13' separating)
↣ Moon and North Node conjunction (6°20' applying)
↣ Moon and Equatorial Ascendant square (3°42' applying)
↣ Moon and Midheaven opposition (8°15' applying)
↣ Mercury and Venus conjunction (1°37' applying) parallel
↣ Mercury and Mars sextile (4°12' separating)
↣ Mercury and Equatorial Ascendant trine (2°19' applying) parallel
↣ Venus and Mars sextile (5°49' separating)
↣ Venus and Equatorial Ascendant trine (3°55' applying) parallel
↣ Mars and Neptune antiparallel
↣ Mars and Equatorial Ascendant sextile (1°53' separating)
↣ Mars and Ascendant parallel
↣ Jupiter and Equatorial Ascendant square (0°32' separating)
↣ Jupiter and Midheaven opposition (4°02' applying) antiparallel
↣ Saturn and Uranus sextile (0°10' separating)
↣ Saturn and Neptune square (0°31' separating)
↣ Saturn and Ascendant square (4°39' applying)
↣ Uranus and Midheaven square (5°45' separating)
↣ Neptune and Pluto sextile (0°23' separating)
↣ Neptune and Ascendant opposition (4°08' applying) antiparallel
↣ Pluto and North Node parallel
↣ Pluto and Ascendant trine (4°31' applying)
↣ Pluto and Midheaven trine (5°43' separating)
↣ North Node and Ascendant square (5°11' separating)
Birth data
- Original name
- Alison Marion Lohman
- Chart date
- 18/09/1979
- Chart time
- 23:41
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Palm Springs (CA), USA - Latitude and longitude
- 33°50' North · 116°33' West
- Time zone
- 07:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Alison Marion Lohman is a former American actress whose work was most prominent during the 2000s. After moving to Los Angeles at the end of high school, she made her film debut in smaller productions before attracting attention with larger roles. She became known for critically praised performances in films such as White Oleander, Matchstick Men and Big Fish, collaborations with notable directors that defined her career.
Her performance in White Oleander was cited by the media as a breakthrough role, earning critical acclaim despite modest box-office returns. Throughout the decade, Lohman moved between independent films and major studio projects, taking on challenging characters—from a troubled young woman to a drug addict in Things We Lost in the Fire—and appearing in films that frequently drew critical notice even when they were not commercial hits.
Beyond her film work, Lohman provided the voice of the protagonist in Nausicaä of the Valley of the Wind and starred in Flicka, a role that required specific physical preparation for horse-riding scenes. Married to director Mark Neveldine, she gradually reduced her public and on-screen activity after the late 2000s, leaving a legacy centered on sensitive performances and critical recognition.
