Birth Chart
André Bazin
André Robert Aime Bazin
Sun Aries
Moon Leo
Ascendant Leo
Influences in signs
↣ Sun in Aries - 27°41' - in house 9
↣ Moon in Leo - 01°54' - in house 12
↣ Mercury in Taurus - 10°14' - in house 10 - retrograde
↣ Venus in Pisces - 11°28' - in house 8
↣ Mars in Virgo - 14°11' - in house 2 - retrograde
↣ Jupiter in Gemini - 10°56' - in house 10/11
↣ Saturn in Leo - 07°41' - in house 12
↣ Uranus in Aquarius - 26°55' - in house 7
↣ Neptune in Leo - 04°19' - in house 12
↣ Pluto in Cancer - 03°37' - in house 11
↣ North Node in Sagittarius - 24°01' - in house 5 - retrograde
↣ Ascendant in Leo - 23°23' - in house 1
↣ Midheaven in Taurus - 12°44' - in house 10
↣ Equatorial Ascendant in Leo - 07°52'
Influences in houses
↣ Sun in house 9
↣ Moon in house 12
↣ Mercury in house 10
↣ Venus in house 8
↣ Mars in house 2
↣ Jupiter in house 10/11
↣ Saturn in house 12
↣ Uranus in house 7
↣ Neptune in house 12
↣ Pluto in house 11
↣ North Node in house 5
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon square (4°13' separating)
↣ Sun and Uranus sextile (0°46' separating)
↣ Sun and Pluto sextile (5°57' applying)
↣ Sun and North Node trine (3°40' separating)
↣ Sun and Ascendant trine (4°17' applying)
↣ Moon and Mercury parallel
↣ Moon and Saturn conjunction (5°47' applying)
↣ Moon and Neptune conjunction (2°25' applying)
↣ Moon and Equatorial Ascendant conjunction (5°58' separating)
↣ Moon and Midheaven parallel
↣ Mercury and Venus sextile (1°13' separating)
↣ Mercury and Mars trine (3°56' separating)
↣ Mercury and Saturn square (2°33' applying)
↣ Mercury and Neptune square (5°56' applying)
↣ Mercury and Equatorial Ascendant square (2°23' applying)
↣ Mercury and Midheaven conjunction (2°29' separating)
↣ Venus and Mars opposition (2°43' applying)
↣ Venus and Jupiter square (0°32' separating)
↣ Venus and Midheaven sextile (1°16' separating)
↣ Mars and Jupiter square (3°14' applying)
↣ Mars and Midheaven trine (1°27' applying)
↣ Jupiter and Saturn sextile (3°15' separating)
↣ Jupiter and Equatorial Ascendant sextile (3°04' applying)
↣ Saturn and Neptune conjunction (3°23' separating) parallel
↣ Saturn and Pluto parallel
↣ Saturn and Equatorial Ascendant conjunction (0°11' separating)
↣ Saturn and Midheaven square (5°03' separating)
↣ Uranus and North Node sextile (2°54' separating)
↣ Uranus and Ascendant opposition (3°31' applying) antiparallel
↣ Neptune and Pluto parallel
↣ Neptune and Equatorial Ascendant conjunction (3°33' separating)
↣ North Node and Ascendant trine (0°37' applying)
Birth data
- Original name
- André Robert Aime Bazin
- Chart date
- 18/04/1918
- Chart time
- 15:00
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Angers, France - Latitude and longitude
- 47°28' North · 0°33' West
- Time zone
- 01:00 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
André Bazin was one of the most influential French film critics and theorists of the postwar era, a central figure in the consolidation of modern film criticism. Co‑founder and editor‑in‑chief of Cahiers du Cinéma, he guided generations of filmmakers and critics and acted as a mentor to the Nouvelle Vague, maintaining close relationships with figures such as François Truffaut and Éric Rohmer.
His theoretical work defended a conception of cinema grounded in “objective reality”: he valued deep focus, the long take and continuity that allowed the viewer to interpret the image, opposing currents that exalted montage as a form of manipulating reality. These positions helped found the so‑called auteur theory and influenced debates about the status of the photographic image and the relationship between filmmaker and film.
Bazin published key essays later collected posthumously in Qu’est‑ce que le cinéma? and wrote studies on directors such as Renoir and Welles. His approach of an appreciative criticism and his intellectual humanism shaped twentieth‑century film criticism; he died young, at 40, leaving a lasting influence on film theory and practice.
