Birth Chart

Birgit Nilsson

Märta Birgit Nilsson

Sun Taurus
Moon Leo
Ascendant Libra
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DeclinationLongitudeDigfg19°N13'M25°B50' 47''9N37'N22°E49' 4''11N11'OB20'8N56'P11°A30'Detr.7N37'Q16°F32'1222°N29'R17°C6'Detr.918°N55'SE53'101112°S59'T27°K37'Domi.518°N59'UE35'101119°N07'VD5'1023°S14'Y22°I33'34N00'È29°I10'34S52'WG11'1123°N25'XD2'1010N00'lG37'Houses Placidus - Prop. orb - LST 06:13:15WG11'225°G10'325°H11'XD2'1110°E25'12F49'
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Influences in signs

↣   Sun in Taurus - 25°50' - in house 9

↣   Moon in Leo - 22°49' - in house 11

↣   Mercury in Taurus - 02°20' - in house 8

↣   Venus in Aries - 11°30' - in house 7

↣   Mars in Virgo - 16°32' - in house 12

↣   Jupiter in Gemini - 17°06' - in house 9

↣   Saturn in Leo - 08°53' - in house 11

↣   Uranus in Aquarius - 27°37' - in house 5

↣   Neptune in Leo - 04°35' - in house 11

↣   Pluto in Cancer - 04°05' - in house 10

↣   North Node in Sagittarius - 22°33' - in house 4

↣   Ascendant in Libra - 02°11' - in house 1

↣   Midheaven in Cancer - 03°02' - in house 10

↣   Equatorial Ascendant in Libra - 03°37'

Influences in houses

↣   Sun in house 9

↣   Moon in house 11

↣   Mercury in house 8

↣   Venus in house 7

↣   Mars in house 12

↣   Jupiter in house 9

↣   Saturn in house 11

↣   Uranus in house 5

↣   Neptune in house 11

↣   Pluto in house 10

↣   North Node in house 4

↣   Ascendant in house 1

↣   Midheaven in house 10

Aspects

↣   Sun and Moon square (3°01' applying)

↣   Sun and Saturn parallel

↣   Sun and Uranus square (1°47' applying)

↣   Sun and Neptune parallel

↣   Sun and Pluto parallel

↣   Sun and Ascendant trine (6°21' separating)

↣   Moon and Mercury parallel

↣   Moon and Jupiter sextile (5°43' separating)

↣   Moon and Uranus opposition (4°48' applying)

↣   Moon and North Node trine (0°16' separating)

↣   Mercury and Uranus sextile (4°43' separating)

↣   Mercury and Neptune square (2°15' applying)

↣   Mercury and Pluto sextile (1°45' applying)

↣   Mercury and Midheaven sextile (0°42' separating)

↣   Venus and Jupiter sextile (5°36' applying)

↣   Venus and Saturn trine (2°37' separating)

↣   Venus and Equatorial Ascendant opposition (7°53' applying)

↣   Venus and Ascendant opposition (9°19' applying)

↣   Mars and Jupiter square (0°33' applying)

↣   Jupiter and North Node opposition (5°27' applying) antiparallel

↣   Jupiter and Midheaven parallel

↣   Saturn and Neptune conjunction (4°18' separating) parallel

↣   Saturn and Pluto parallel

↣   Saturn and Equatorial Ascendant sextile (5°16' applying)

↣   Uranus and North Node sextile (5°04' separating)

↣   Uranus and Midheaven trine (5°26' separating)

↣   Neptune and Pluto parallel

↣   Neptune and Equatorial Ascendant sextile (0°59' applying)

↣   Neptune and Ascendant sextile (2°24' applying)

↣   Pluto and Equatorial Ascendant square (0°29' applying)

↣   Pluto and Ascendant square (1°54' applying)

↣   Pluto and Midheaven conjunction (1°03' applying)

↣   North Node and Midheaven antiparallel

Birth data

Original name
Märta Birgit Nilsson
Chart date
17/05/1918
Chart time
14:45
Date and time quality
A Memory what does this mean?
Data origin
Astro-Databank
Location
Torekov, Sweden
Latitude and longitude
56°26' North · 12°37' East
Time zone
01:00 East

The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.

Birgit Nilsson
Photo: Reproduction

About

Märta Birgit Nilsson was one of the most celebrated dramatic sopranos of the twentieth century, renowned for her command of the repertoires of Wagner, Verdi, Puccini and Richard Strauss. Known for her power and vocal stamina — a bright timbre often described as “trumpet-like” — she built an international career over four decades and left an extensive recorded and live-performance legacy.

She made her debut at the Royal Swedish Opera in 1946; in the following years she distinguished herself at houses such as the Metropolitan Opera, where she sang 223 times in 16 roles, and at the Bayreuth Festival, becoming a benchmark for demanding parts such as Isolde, Brünnhilde, Sieglinde, Turandot and Elektra. The live recording of Tristan und Isolde at Bayreuth (1966) is frequently cited among the most significant interpretations of that repertoire.

Beyond her artistic acclaim, Nilsson attracted public attention for events offstage, including a tax dispute with the United States that prevented her from entering the country for several years. Her frank personality and sense of humor also shaped her public image.

Posthumous recognition includes the creation in 2009 of an award in her name in Sweden, intended to honor outstanding lyrical performers.

Read more about Birgit Nilsson on Wikipedia

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