Birth Chart
Charlie Haden
Charles Edward Haden
Sun Leo
Moon Leo
Ascendant Sagittarius
Influences in signs
↣ Sun in Leo - 13°59' - in house 8
↣ Moon in Leo - 19°06' - in house 8
↣ Mercury in Virgo - 08°50' - in house 9
↣ Venus in Cancer - 02°19' - in house 7
↣ Mars in Scorpio - 29°08' - in house 12
↣ Jupiter in Capricorn - 19°40' - in house 2 - retrograde
↣ Saturn in Aries - 04°47' - in house 4 - retrograde
↣ Uranus in Taurus - 13°38' - in house 5
↣ Neptune in Virgo - 17°26' - in house 9
↣ Pluto in Cancer - 28°46' - in house 8
↣ North Node in Sagittarius - 13°20' - in house 1 - retrograde
↣ Ascendant in Sagittarius - 19°08' - in house 1
↣ Midheaven in Libra - 10°30' - in house 10
↣ Equatorial Ascendant in Capricorn - 08°52'
Influences in houses
↣ Sun in house 8
↣ Moon in house 8
↣ Mercury in house 9
↣ Venus in house 7
↣ Mars in house 12
↣ Jupiter in house 2
↣ Saturn in house 4
↣ Uranus in house 5
↣ Neptune in house 9
↣ Pluto in house 8
↣ North Node in house 1
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon conjunction (5°07' separating)
↣ Sun and Uranus square (0°22' separating) parallel
↣ Sun and North Node trine (0°39' separating)
↣ Sun and Ascendant trine (5°09' separating)
↣ Sun and Midheaven sextile (3°29' applying)
↣ Moon and Uranus square (5°28' separating)
↣ Moon and North Node trine (5°46' separating)
↣ Moon and Ascendant trine (0°02' separating)
↣ Mercury and Uranus trine (4°47' applying)
↣ Mercury and Neptune conjunction (8°35' applying)
↣ Mercury and North Node square (4°29' applying)
↣ Mercury and Equatorial Ascendant trine (0°01' separating)
↣ Venus and Jupiter antiparallel
↣ Venus and Saturn square (2°27' applying)
↣ Venus and North Node antiparallel
↣ Venus and Equatorial Ascendant opposition (6°33' separating)
↣ Mars and Jupiter parallel
↣ Mars and Saturn trine (5°39' applying)
↣ Mars and Pluto trine (0°22' separating) antiparallel
↣ Mars and North Node parallel
↣ Mars and Ascendant parallel
↣ Jupiter and Neptune trine (2°15' applying)
↣ Jupiter and Pluto antiparallel
↣ Jupiter and North Node parallel
↣ Jupiter and Ascendant parallel
↣ Saturn and Equatorial Ascendant square (4°05' separating) parallel
↣ Saturn and Midheaven opposition (5°43' separating)
↣ Uranus and Neptune trine (3°48' separating)
↣ Uranus and Equatorial Ascendant trine (4°46' applying)
↣ Neptune and North Node square (4°06' separating)
↣ Neptune and Ascendant square (1°42' separating)
↣ Pluto and North Node antiparallel
↣ Pluto and Ascendant antiparallel
↣ North Node and Ascendant conjunction (5°48' separating) parallel
↣ North Node and Midheaven sextile (2°50' applying)
Birth data
- Original name
- Charles Edward Haden
- Chart date
- 06/08/1937
- Chart time
- 16:00
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Shenandoah (IA), USA - Latitude and longitude
- 40°46' North · 95°22' West
- Time zone
- 06:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Charlie Haden was an American double bassist, bandleader, composer, and educator, recognized for his profound influence on modern jazz. He became known for his long collaboration with Ornette Coleman, notably on the album The Shape of Jazz to Come (1959), and for melodic bass lines that helped redefine the role of the double bass in the jazz ensemble.
Over his career he joined several seminal groups, including Keith Jarrett’s trio and American Quartet, and the collective Old and New Dreams. In the 1970s he founded, with Carla Bley, the Liberation Music Orchestra, a politically charged project that blended free jazz with elements of popular and protest music — noted for the albums The Ballad of the Fallen and Dream Keeper.
He also led Quartet West, a group known for its romantic arrangements and references to the American songbook, and carried out numerous duets with pianists as well as international collaborations, including recordings with Pat Metheny and Carlos Paredes. His legacy endures in the timbral and political renewal of jazz and in his influence on subsequent generations of bass players.
