Birth Chart
Donald Farnsworth
Donald Sheridan Farnsworth
Sun Gemini
Moon Taurus
Ascendant Aquarius
Influences in signs
↣ Sun in Gemini - 26°58' - in house 5
↣ Moon in Taurus - 09°31' - in house 3
↣ Mercury in Cancer - 07°52' - in house 5
↣ Venus in Gemini - 25°08' - in house 5
↣ Mars in Scorpio - 01°36' - in house 8/9
↣ Jupiter in Taurus - 11°19' - in house 3
↣ Saturn in Libra - 08°14' - in house 8
↣ Uranus in Cancer - 13°07' - in house 5/6
↣ Neptune in Libra - 18°58' - in house 8 - retrograde
↣ Pluto in Leo - 19°37' - in house 7
↣ North Node in Aquarius - 23°16' - in house 1 - retrograde
↣ Ascendant in Aquarius - 19°55' - in house 1
↣ Midheaven in Sagittarius - 05°56' - in house 10
↣ Equatorial Ascendant in Pisces - 02°03'
Influences in houses
↣ Sun in house 5
↣ Moon in house 3
↣ Mercury in house 5
↣ Venus in house 5
↣ Mars in house 8/9
↣ Jupiter in house 3
↣ Saturn in house 8
↣ Uranus in house 5/6
↣ Neptune in house 8
↣ Pluto in house 7
↣ North Node in house 1
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Mercury conjunction (10°54' separating)
↣ Sun and Venus conjunction (1°49' applying) parallel
↣ Sun and Mars trine (4°38' applying)
↣ Sun and Uranus parallel
↣ Sun and Pluto parallel
↣ Sun and North Node trine (3°41' separating)
↣ Sun and Equatorial Ascendant trine (5°06' separating)
↣ Moon and Mercury sextile (1°39' separating)
↣ Moon and Mars opposition (7°55' separating)
↣ Moon and Jupiter conjunction (1°48' applying)
↣ Moon and Uranus sextile (3°37' applying)
↣ Mercury and Jupiter sextile (3°27' applying)
↣ Mercury and Saturn square (0°23' applying)
↣ Mercury and Uranus conjunction (5°16' applying)
↣ Mercury and Equatorial Ascendant trine (5°48' applying)
↣ Venus and Uranus parallel
↣ Venus and Pluto sextile (5°31' separating) parallel
↣ Venus and North Node trine (1°51' separating)
↣ Venus and Ascendant trine (5°12' applying)
↣ Mars and North Node parallel
↣ Mars and Equatorial Ascendant trine (0°27' separating)
↣ Jupiter and Uranus sextile (1°49' applying)
↣ Jupiter and North Node antiparallel
↣ Jupiter and Ascendant antiparallel
↣ Saturn and Uranus square (4°53' separating)
↣ Saturn and Equatorial Ascendant parallel
↣ Saturn and Midheaven sextile (2°18' applying)
↣ Uranus and Neptune square (5°51' applying)
↣ Uranus and Pluto parallel
↣ Neptune and Pluto sextile (0°39' separating)
↣ Neptune and North Node trine (4°18' applying)
↣ Neptune and Ascendant trine (0°57' separating)
↣ Pluto and North Node opposition (3°39' applying)
↣ Pluto and Ascendant opposition (0°18' separating)
↣ North Node and Equatorial Ascendant conjunction (8°47' separating)
↣ North Node and Ascendant conjunction (3°21' applying)
Birth data
- Original name
- Donald Sheridan Farnsworth
- Chart date
- 18/06/1952
- Chart time
- 00:39
- Date and time quality
- A News report what does this mean?
- Data origin
- Astro-Databank
- Location
-
Palo Alto (CA), USA - Latitude and longitude
- 37°27' North · 122°09' West
- Time zone
- 07:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Donald Sheridan Farnsworth is a visual artist, inventor, and director of Magnolia Editions, a print studio and workshop in Oakland, California. A graduate of the San Francisco Art Institute with an MFA in printmaking from UC Berkeley, Farnsworth built a career at the intersection of art and technology, developing hybrid processes that combine digital printing with traditional techniques such as photogravure.
Since founding Magnolia Editions in 1981, Farnsworth has published and collaborated with major figures in contemporary art — including Chuck Close, Bruce Conner, Rupert Garcia, and Hung Liu — helping translate experimental projects into editions, Jacquard tapestries, and high-fidelity prints. His own work also explores this convergence: the Origin: Specimens series layers digitally captured images of natural specimens over Darwin’s text, reflecting on scientific observation and visual culture.
Beyond his artistic practice, Farnsworth holds patents related to printing processes and is recognized for technical innovation in using digital printers as intermediaries in engraving and weaving. In education and conservation he has contributed publications on handmade paper and taught hands-on courses, establishing a legacy focused both on artistic production and on advancing techniques and editorial collaboration in graphic arts.
