Birth Chart
Erik Charell
Erich Karl Löwenberg
Sun Aries
Moon Taurus
Ascendant Libra
Influences in signs
↣ Sun in Aries - 18°52' - in house 7
↣ Moon in Taurus - 21°53' - in house 8
↣ Mercury in Pisces - 21°23' - in house 5/6
↣ Venus in Pisces - 04°16' - in house 5
↣ Mars in Aquarius - 07°59' - in house 4
↣ Jupiter in Gemini - 01°13' - in house 8
↣ Saturn in Libra - 22°04' - in house 1 - retrograde
↣ Uranus in Scorpio - 14°20' - in house 2 - retrograde
↣ Neptune in Gemini - 11°23' - in house 8/9
↣ Pluto in Gemini - 09°11' - in house 8/9
↣ North Node in Aries - 10°17' - in house 6 - retrograde
↣ Ascendant in Libra - 18°44' - in house 1
↣ Midheaven in Cancer - 24°34' - in house 10
↣ Equatorial Ascendant in Libra - 28°31'
Influences in houses
↣ Sun in house 7
↣ Moon in house 8
↣ Mercury in house 5/6
↣ Venus in house 5
↣ Mars in house 4
↣ Jupiter in house 8
↣ Saturn in house 1
↣ Uranus in house 2
↣ Neptune in house 8/9
↣ Pluto in house 8/9
↣ North Node in house 6
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Venus antiparallel
↣ Sun and Saturn opposition (3°13' applying) antiparallel
↣ Sun and North Node conjunction (8°34' separating)
↣ Sun and Equatorial Ascendant opposition (9°39' separating)
↣ Sun and Ascendant opposition (0°07' applying) antiparallel
↣ Sun and Midheaven square (5°43' separating)
↣ Moon and Mercury sextile (0°30' separating)
↣ Moon and Jupiter conjunction (9°21' applying)
↣ Moon and Uranus opposition (7°32' separating)
↣ Moon and Neptune parallel
↣ Moon and Midheaven sextile (2°41' separating) parallel
↣ Mercury and Saturn parallel
↣ Mercury and North Node antiparallel
↣ Mercury and Midheaven trine (3°11' separating)
↣ Venus and Jupiter square (3°03' separating)
↣ Venus and Pluto square (4°55' applying)
↣ Venus and Equatorial Ascendant trine (5°45' applying)
↣ Venus and Ascendant parallel
↣ Mars and Jupiter antiparallel
↣ Mars and Neptune trine (3°24' applying)
↣ Mars and Pluto trine (1°13' applying)
↣ Mars and North Node sextile (2°19' applying)
↣ Jupiter and Neptune parallel
↣ Jupiter and Pluto conjunction (7°58' applying)
↣ Saturn and Equatorial Ascendant conjunction (6°27' separating)
↣ Saturn and Ascendant conjunction (3°19' applying)
↣ Saturn and Midheaven square (2°30' separating)
↣ Neptune and Pluto conjunction (2°12' separating)
↣ Neptune and North Node sextile (1°06' separating)
↣ Neptune and Midheaven parallel
↣ Pluto and North Node sextile (1°06' applying)
↣ North Node and Ascendant opposition (8°27' separating)
Birth data
- Original name
- Erich Karl Löwenberg
- Chart date
- 08/04/1894
- Chart time
- 18:30
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Wrocław, Germany - Latitude and longitude
- 51°07' North · 17°02' East
- Time zone
- 01:00 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Erik Charell, born Erich Karl Löwenberg, was a German theatre and film director as well as a dancer and actor whose career was prominent in the 1920s and early 1930s. He became known for creating and modernizing revues and operettas, blending elements of the European tradition with jazz influences and international repertoire; among his best-known works are Im weißen Rößl (The White Horse Inn) and Der Kongress tanzt (The Congress Dances).
As director of the Großes Schauspielhaus in Berlin, Charell revitalized large-scale spectacle, launching performers who went on to notable careers and introducing innovations in staging, music and choreography. Collaborations with composers such as Ralph Benatzky and Werner Richard Heymann were central to his style, which aimed to unite plot, visual spectacle and lavish musical numbers.
His move into sound film produced international hits and invitations to Hollywood, but the rise of the Nazi regime interrupted his career in Germany: contracts were canceled because of his Jewish ancestry and film projects were blocked. Despite these setbacks, Charell’s influence on the development of the modern operetta and the large-scale musical remains an important part of his legacy.
