Birth Chart
Estelle Parsons
Sun Scorpio
Moon Libra
When the birth time is unknown, the chart is calculated for 12:00 noon without using the astrological houses system. Are the planets in the wrong houses?
Influences in signs
↣ Sun in Scorpio - 27°23'
↣ Moon in Libra - 16°58'
↣ Mercury in Scorpio - 09°40'
↣ Venus in Libra - 10°41'
↣ Mars in Scorpio - 17°35'
↣ Jupiter in Pisces - 23°37'
↣ Saturn in Sagittarius - 08°41'
↣ Uranus in Pisces - 29°39' - retrograde
↣ Neptune in Leo - 29°09'
↣ Pluto in Cancer - 16°57' - retrograde
↣ North Node in Gemini - 18°52' - retrograde
Aspects
↣ Sun and Mars conjunction (9°48' separating)
↣ Sun and Jupiter trine (3°46' separating)
↣ Sun and Saturn parallel
↣ Sun and Uranus trine (2°16' applying)
↣ Sun and Neptune square (1°46' applying)
↣ Moon and Venus conjunction (6°17' separating) parallel
↣ Moon and Jupiter parallel
↣ Moon and Pluto square (0°01' separating)
↣ Moon and North Node trine (1°53' applying)
↣ Mercury and Mars conjunction (7°55' separating)
↣ Mercury and Neptune antiparallel
↣ Venus and Saturn sextile (2°01' separating)
↣ Mars and Pluto trine (0°38' separating)
↣ Jupiter and Uranus conjunction (6°02' applying)
↣ Jupiter and North Node square (4°45' separating)
Birth data
- Chart date
- 20/11/1927
- Chart time
- No time
- Date and time quality
- XX Time not informed what does this mean?
- Data origin
- Astro-Databank
- Location
-
Lynn (MA), USA - Latitude and longitude
- 42°28' North · 70°57' West
- Time zone
- 05:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Estelle Parsons is an American actress whose career spans theatre, film and television. A graduate of Connecticut College, she shifted from music to acting and established herself on New York stages in the 1960s, winning Off‑Broadway awards and earning Tony nominations for several dramatic theatre roles. In 2004 she was inducted into the American Theatre Hall of Fame.
In film, she rose to international prominence by winning the Academy Award for Best Supporting Actress for Bonnie and Clyde (1967) and receiving a second nomination for Rachel, Rachel (1968); her filmography also includes titles such as Watermelon Man, I Never Sang for My Father and Dick Tracy. Her work in the 1970s and 1980s combined acting and theatre directing, and she was the first woman invited to direct at the New York Shakespeare Festival.
On television she became well known as Beverly Harris on the series Roseanne and its spin‑off The Conners, while appearing in a wide range of productions over several decades. She also held artistic leadership roles, serving as artistic director of the Actors Studio (1998–2003), and has maintained a lasting influence on contemporary American theatre.
