Birth Chart
Frank Fay
Francis Anthony Donner
Sun Scorpio
Moon Gemini
Ascendant Virgo
Influences in signs
↣ Sun in Scorpio - 24°47' - in house 3
↣ Moon in Gemini - 13°35' - in house 10
↣ Mercury in Sagittarius - 06°22' - in house 3
↣ Venus in Sagittarius - 10°04' - in house 3
↣ Mars in Libra - 16°47' - in house 2
↣ Jupiter in Pisces - 08°28' - in house 6
↣ Saturn in Virgo - 27°43' - in house 1
↣ Uranus in Scorpio - 03°11' - in house 2
↣ Neptune in Gemini - 08°01' - in house 9 - retrograde
↣ Pluto in Gemini - 08°06' - in house 9 - retrograde
↣ North Node in Taurus - 26°12' - in house 9
↣ Ascendant in Virgo - 24°55' - in house 1
↣ Midheaven in Gemini - 24°16' - in house 10
↣ Equatorial Ascendant in Virgo - 23°12'
Influences in houses
↣ Sun in house 3
↣ Moon in house 10
↣ Mercury in house 3
↣ Venus in house 3
↣ Mars in house 2
↣ Jupiter in house 6
↣ Saturn in house 1
↣ Uranus in house 2
↣ Neptune in house 9
↣ Pluto in house 9
↣ North Node in house 9
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Saturn sextile (2°55' applying)
↣ Sun and Neptune antiparallel
↣ Sun and North Node opposition (1°24' applying) antiparallel
↣ Sun and Equatorial Ascendant sextile (1°36' applying)
↣ Sun and Ascendant sextile (0°07' separating)
↣ Moon and Mercury opposition (7°13' separating) antiparallel
↣ Moon and Venus opposition (3°31' separating)
↣ Moon and Mars trine (3°13' applying)
↣ Moon and Jupiter square (5°07' separating)
↣ Moon and Neptune conjunction (5°34' separating)
↣ Moon and Pluto conjunction (5°28' separating)
↣ Moon and Midheaven conjunction (10°42' separating) parallel
↣ Mercury and Venus conjunction (3°43' applying) parallel
↣ Mercury and Jupiter square (2°07' applying)
↣ Mercury and Neptune opposition (1°39' applying)
↣ Mercury and Pluto opposition (1°45' applying)
↣ Mercury and Midheaven antiparallel
↣ Venus and Jupiter square (1°36' separating)
↣ Venus and Neptune opposition (2°03' separating)
↣ Venus and Pluto opposition (1°58' separating)
↣ Venus and Midheaven antiparallel
↣ Jupiter and Uranus trine (5°17' applying)
↣ Jupiter and Neptune square (0°28' separating)
↣ Jupiter and Pluto square (0°22' separating) antiparallel
↣ Saturn and North Node trine (1°31' separating)
↣ Saturn and Equatorial Ascendant conjunction (4°31' applying)
↣ Saturn and Ascendant conjunction (2°49' applying) parallel
↣ Saturn and Midheaven square (3°27' applying)
↣ Neptune and Pluto conjunction (0°06' separating)
↣ Neptune and North Node parallel
↣ North Node and Equatorial Ascendant trine (3°00' applying)
↣ North Node and Ascendant trine (1°17' applying)
Birth data
- Original name
- Francis Anthony Donner
- Chart date
- 17/11/1891
- Chart time
- 02:00
- Date and time quality
- C Unknown source origin what does this mean?
- Data origin
- Astro-Databank
- Location
-
San Francisco (CA), USA - Latitude and longitude
- 37°47' North · 122°25' West
- Time zone
- 08:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Frank Fay, born Francis Anthony Donner, was an American vaudeville comedian and actor recognized as a pioneer of modern comedy, often cited as one of the earliest performers to use the stand-up format. Prominent in the 1910s through the 1930s, he was known for an apparently improvised style and sharp comic timing, becoming one of vaudeville’s biggest stars and one of the highest-paid entertainers of his era.
In early sound films he appeared in musicals and comedies produced by Warner Bros., including Show of Shows (1929), Under a Texas Moon (1930) and The Matrimonial Bed (1930), frequently playing the urbane leading man and incorporating musical numbers. He also worked as a master of ceremonies in revues, nightclubs and radio programs, helping to popularize that form of entertainment.
His public reputation later suffered serious damage due to personal behavior and controversies: contemporary accounts emphasize narcissism, alcoholism, antisemitic attitudes and accusations of assault, which contributed to his subsequent ostracism. Despite these controversies, his influence on generations of comedians and his role in the transition from vaudeville to radio and film entertainment remain notable.
