Birth Chart
Jerry Casale
Gerald Vincent Pizzute
Sun Leo
Moon Aries
Ascendant Libra
Influences in signs
↣ Sun in Leo - 05°28' - in house 10
↣ Moon in Aries - 28°57' - in house 7
↣ Mercury in Cancer - 20°35' - in house 10
↣ Venus in Gemini - 27°23' - in house 9
↣ Mars in Libra - 06°46' - in house 12
↣ Jupiter in Sagittarius - 19°37' - in house 3 - retrograde
↣ Saturn in Leo - 23°26' - in house 11
↣ Uranus in Gemini - 28°38' - in house 9
↣ Neptune in Libra - 10°35' - in house 1
↣ Pluto in Leo - 14°17' - in house 10/11
↣ North Node in Taurus - 09°48' - in house 7/8 - retrograde
↣ Ascendant in Libra - 17°56' - in house 1
↣ Midheaven in Cancer - 21°02' - in house 10
↣ Equatorial Ascendant in Libra - 24°34'
Influences in houses
↣ Sun in house 10
↣ Moon in house 7
↣ Mercury in house 10
↣ Venus in house 9
↣ Mars in house 12
↣ Jupiter in house 3
↣ Saturn in house 11
↣ Uranus in house 9
↣ Neptune in house 1
↣ Pluto in house 10/11
↣ North Node in house 7/8
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon square (6°31' applying)
↣ Sun and Venus parallel
↣ Sun and Mars sextile (1°18' applying)
↣ Sun and Neptune sextile (5°07' applying)
↣ Sun and Pluto conjunction (8°49' applying)
↣ Sun and North Node square (4°20' applying)
↣ Moon and Venus sextile (1°34' separating)
↣ Moon and Saturn trine (5°31' separating)
↣ Moon and Uranus sextile (0°19' separating)
↣ Moon and Equatorial Ascendant opposition (4°23' applying)
↣ Moon and Ascendant opposition (11°00' applying)
↣ Mercury and Jupiter antiparallel
↣ Mercury and Equatorial Ascendant square (3°59' separating)
↣ Mercury and Ascendant square (2°38' applying)
↣ Mercury and Midheaven conjunction (0°27' separating) parallel
↣ Venus and Jupiter opposition (7°45' separating)
↣ Venus and Saturn sextile (3°57' separating)
↣ Venus and Uranus conjunction (1°15' applying)
↣ Venus and Equatorial Ascendant trine (2°49' applying)
↣ Mars and Neptune conjunction (3°49' applying) parallel
↣ Jupiter and Saturn trine (3°48' separating)
↣ Jupiter and Uranus antiparallel
↣ Jupiter and Pluto trine (5°20' applying) antiparallel
↣ Jupiter and Equatorial Ascendant sextile (4°56' separating)
↣ Jupiter and Ascendant sextile (1°41' applying)
↣ Jupiter and Midheaven antiparallel
↣ Saturn and Uranus sextile (5°13' applying)
↣ Saturn and North Node parallel
↣ Saturn and Equatorial Ascendant sextile (1°08' separating)
↣ Saturn and Ascendant sextile (5°29' applying)
↣ Uranus and Pluto parallel
↣ Uranus and Equatorial Ascendant trine (4°05' applying)
↣ Neptune and Pluto sextile (3°42' separating)
↣ Neptune and Ascendant conjunction (7°22' separating)
↣ Pluto and North Node square (4°29' separating)
↣ Pluto and Ascendant sextile (3°40' separating)
Birth data
- Original name
- Gerald Vincent Pizzute
- Chart date
- 28/07/1948
- Chart time
- 13:31
- Date and time quality
- AA Birth record cited what does this mean?
- Data origin
- Astro-Databank
- Location
-
Ravenna (OH), USA - Latitude and longitude
- 41°09' North · 81°15' West
- Time zone
- 04:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Jerry Casale (born Gerald Vincent Pizzute) is an American musician, known as co-founder, co-lead vocalist, bassist, and principal lyricist of the new wave band Devo. He rose to prominence in the late 1970s and early 1980s when Devo reached the top 20 with the single "Whip It" (1980) and released influential albums such as Q: Are We Not Men? R: We Are Devo! and Freedom of Choice.
Author of much of the band's repertoire, Casale also directed most of Devo's music videos and worked for other artists, including The Cars, Rush, Foo Fighters, Soundgarden, and Silverchair, establishing himself as a creative force beyond musical performance. His career also includes side projects such as Jihad Jerry & the Evildoers and further ventures in video direction and occasional collaborations.
A graduate in arts from Kent State University, Casale was one of the originators of the “de-evolution” concept that guided Devo’s aesthetic and message, a movement that arose after the 1970 Kent State events. Present throughout virtually the band's history, his legacy is linked to sonic and visual innovation in the rock/new wave scene.
