Birth Chart
Johannes Brahms
Sun Taurus
Moon Sagittarius
Ascendant Aries
Influences in signs
↣ Sun in Taurus - 16°16' - in house 1/2
↣ Moon in Sagittarius - 24°13' - in house 9
↣ Mercury in Aries - 21°55' - in house 1
↣ Venus in Gemini - 01°56' - in house 2 - retrograde
↣ Mars in Cancer - 16°32' - in house 4
↣ Jupiter in Aries - 20°07' - in house 1
↣ Saturn in Virgo - 21°29' - in house 6 - retrograde
↣ Uranus in Aquarius - 22°23' - in house 12
↣ Neptune in Capricorn - 29°23' - in house 11 - retrograde
↣ Pluto in Aries - 12°02' - in house 1
↣ North Node in Cancer - 16°51' - in house 4 - retrograde
↣ Ascendant in Aries - 18°42' - in house 1
↣ Midheaven in Capricorn - 06°37' - in house 10
↣ Equatorial Ascendant in Aries - 07°52'
Influences in houses
↣ Sun in house 1/2
↣ Moon in house 9
↣ Mercury in house 1
↣ Venus in house 2
↣ Mars in house 4
↣ Jupiter in house 1
↣ Saturn in house 6
↣ Uranus in house 12
↣ Neptune in house 11
↣ Pluto in house 1
↣ North Node in house 4
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Mars sextile (0°15' applying)
↣ Sun and Saturn trine (5°13' applying)
↣ Sun and Uranus square (6°07' applying)
↣ Sun and North Node sextile (0°34' applying)
↣ Moon and Mercury trine (2°19' separating)
↣ Moon and Jupiter trine (4°06' separating)
↣ Moon and Saturn square (2°44' separating)
↣ Moon and Uranus sextile (1°50' separating)
↣ Moon and Neptune parallel
↣ Moon and North Node antiparallel
↣ Moon and Ascendant trine (5°31' applying)
↣ Mercury and Mars square (5°22' applying)
↣ Mercury and Jupiter conjunction (1°47' separating) parallel
↣ Mercury and Saturn parallel
↣ Mercury and Uranus sextile (0°29' applying)
↣ Mercury and North Node square (5°04' separating)
↣ Mercury and Ascendant conjunction (3°12' applying)
↣ Venus and Neptune trine (2°33' applying)
↣ Venus and Equatorial Ascendant sextile (5°55' separating)
↣ Mars and Jupiter square (3°35' applying)
↣ Mars and Saturn sextile (4°58' applying)
↣ Mars and Pluto square (4°30' separating)
↣ Mars and North Node conjunction (0°19' applying)
↣ Mars and Ascendant square (2°10' separating)
↣ Mars and Midheaven opposition (9°54' applying) antiparallel
↣ Jupiter and Uranus sextile (2°16' applying)
↣ Jupiter and Pluto conjunction (8°06' separating)
↣ Jupiter and North Node square (3°16' separating)
↣ Jupiter and Ascendant conjunction (1°25' applying) parallel
↣ Saturn and North Node sextile (4°39' separating)
↣ Uranus and Ascendant sextile (3°41' applying)
↣ Pluto and North Node square (4°49' applying)
↣ Pluto and Equatorial Ascendant conjunction (4°10' applying)
↣ Pluto and Ascendant conjunction (6°40' separating)
↣ Pluto and Midheaven square (5°24' applying)
↣ North Node and Ascendant square (1°51' separating)
↣ North Node and Midheaven antiparallel
Birth data
- Chart date
- 07/05/1833
- Chart time
- 03:30
- Date and time quality
- AA Birth record cited what does this mean?
- Data origin
- Astro-Databank
- Location
-
St. Pauli, Germany - Latitude and longitude
- 53°33' North · 9°59' East
- Time zone
- 00:40 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Johannes Brahms was a German composer, pianist and conductor of the mid-Romantic period whose work reconciled Romantic expressiveness with classical formal rigor. Trained in Hamburg’s musical scene, he made an early debut as a pianist and, as an adult, settled in Vienna, where he spent most of his career and established his reputation. He collaborated with leading performers of his time, such as Clara Schumann and Joseph Joachim, and substantial portions of the chamber and piano repertoire arose from those partnerships.
His output covered almost every instrumental and choral form except opera and ballet: symphonies, concertos, chamber music, lieder, choral works and pieces for piano and clarinet. A German Requiem (1868) and the First Symphony (1876) were decisive milestones in his public recognition; his Hungarian Dances and the late works for clarinet rank among his particularly notable creations.
Regarded by some contemporaries as a conservative, Brahms influenced later generations—from Schoenberg to Elgar—through his formal construction and wealth of thematic development. He lived modestly, devoted himself to editing and recitals, and left a lasting legacy as one of the pillars of nineteenth-century concert music.
