Birth Chart
John Dillinger
John Herbert Dillinger Jr
Sun Gemini
Moon Taurus
Ascendant Leo
Influences in signs
↣ Sun in Gemini - 29°55' - in house 12
↣ Moon in Taurus - 22°25' - in house 11
↣ Mercury in Gemini - 09°19' - in house 11
↣ Venus in Leo - 14°28' - in house 1
↣ Mars in Libra - 07°20' - in house 3
↣ Jupiter in Pisces - 22°34' - in house 9
↣ Saturn in Aquarius - 08°28' - in house 7 - retrograde
↣ Uranus in Sagittarius - 23°23' - in house 5/6 - retrograde
↣ Neptune in Cancer - 03°17' - in house 12
↣ Pluto in Gemini - 19°26' - in house 11
↣ North Node in Libra - 12°45' - in house 4 - retrograde
↣ Ascendant in Leo - 04°10' - in house 1
↣ Midheaven in Aries - 21°15' - in house 10
↣ Equatorial Ascendant in Cancer - 18°08'
Influences in houses
↣ Sun in house 12
↣ Moon in house 11
↣ Mercury in house 11
↣ Venus in house 1
↣ Mars in house 3
↣ Jupiter in house 9
↣ Saturn in house 7
↣ Uranus in house 5/6
↣ Neptune in house 12
↣ Pluto in house 11
↣ North Node in house 4
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Uranus opposition (6°33' separating) antiparallel
↣ Sun and Neptune conjunction (3°22' applying) parallel
↣ Moon and Jupiter sextile (0°09' applying)
↣ Moon and Pluto parallel
↣ Moon and Equatorial Ascendant sextile (4°17' applying)
↣ Mercury and Venus sextile (5°08' separating) parallel
↣ Mercury and Mars trine (1°59' separating)
↣ Mercury and Saturn trine (0°51' separating) antiparallel
↣ Mercury and North Node trine (3°25' applying)
↣ Mercury and Ascendant sextile (5°09' applying)
↣ Venus and Saturn opposition (5°59' separating) antiparallel
↣ Venus and Pluto sextile (4°58' applying)
↣ Venus and North Node sextile (1°43' separating)
↣ Venus and Ascendant conjunction (10°17' applying) parallel
↣ Mars and Saturn trine (1°08' applying)
↣ Mars and Neptune square (4°03' separating)
↣ Mars and North Node conjunction (5°25' applying)
↣ Mars and Ascendant sextile (3°09' applying)
↣ Jupiter and Uranus square (0°49' applying)
↣ Jupiter and Pluto square (3°08' separating)
↣ Jupiter and North Node parallel
↣ Jupiter and Equatorial Ascendant trine (4°26' applying)
↣ Saturn and North Node trine (4°17' applying)
↣ Saturn and Ascendant opposition (4°18' applying) antiparallel
↣ Uranus and Pluto opposition (3°57' applying)
↣ Uranus and Midheaven trine (2°07' applying)
↣ Pluto and Midheaven sextile (1°49' separating)
↣ North Node and Equatorial Ascendant square (5°23' separating)
↣ North Node and Midheaven opposition (8°30' separating)
Birth data
- Original name
- John Herbert Dillinger Jr
- Chart date
- 22/06/1903
- Chart time
- 07:05
- Date and time quality
- C Questionable accuracy what does this mean?
- Data origin
- Astro-Databank
- Location
-
Indianapolis (IN), USA - Latitude and longitude
- 39°46' North · 86°09' West
- Time zone
- 06:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
John Herbert Dillinger was a notorious American bank robber whose criminal career and spectacular escapes during 1933–1934 made him a central figure in the press and public imagination of the Great Depression. Nicknamed “Jackrabbit” for the speed of his actions, he joined gangs that carried out bold robberies across several states, attracting great notoriety and much of the law-enforcement attention of the time.
Released from prison in 1933, Dillinger established himself as a leader of crews that included names such as Harry Pierpont, Homer Van Meter and “Baby Face” Nelson. His methods — disguises, staged ruses and dramatic getaways, including the famous escape from Crown Point using a gun carved from soap — fueled both folklore and federal investigative efforts.
The manhunt for Dillinger coincided with the professionalization of the FBI and the media label “public enemies” applied to 1930s gangsters. In July 1934 he was shot and killed by agents after leaving a movie theater in Chicago; the operation and the figure of his alleged informant spawned legends such as that of the “Lady in Red.”
Dillinger’s case influenced popular culture and collective memory: it inspired films, books and songs, and remains a symbol of the social and criminal tensions of that era.
