Birth Chart
Johnny Dorelli
Giorgio Domenico Guidi
Sun Pisces
Moon Gemini
Ascendant Capricorn
Influences in signs
↣ Sun in Pisces - 01°07' - in house 2
↣ Moon in Gemini - 26°56' - in house 6
↣ Mercury in Aquarius - 08°04' - in house 1
↣ Venus in Aries - 17°02' - in house 3
↣ Mars in Scorpio - 22°15' - in house 10
↣ Jupiter in Capricorn - 17°45' - in house 1
↣ Saturn in Pisces - 22°18' - in house 2/3
↣ Uranus in Taurus - 06°13' - in house 4
↣ Neptune in Virgo - 18°03' - in house 8 - retrograde
↣ Pluto in Cancer - 26°58' - in house 7 - retrograde
↣ North Node in Sagittarius - 21°49' - in house 12 - retrograde
↣ Ascendant in Capricorn - 08°34' - in house 1
↣ Midheaven in Scorpio - 07°28' - in house 10
↣ Equatorial Ascendant in Aquarius - 02°50'
Influences in houses
↣ Sun in house 2
↣ Moon in house 6
↣ Mercury in house 1
↣ Venus in house 3
↣ Mars in house 10
↣ Jupiter in house 1
↣ Saturn in house 2/3
↣ Uranus in house 4
↣ Neptune in house 8
↣ Pluto in house 7
↣ North Node in house 12
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon trine (4°10' applying)
↣ Sun and Uranus sextile (5°06' applying)
↣ Sun and Midheaven trine (6°22' separating)
↣ Moon and Jupiter antiparallel
↣ Moon and Saturn square (4°39' separating)
↣ Moon and Pluto parallel
↣ Moon and North Node opposition (5°07' separating) antiparallel
↣ Moon and Ascendant opposition (11°38' separating) antiparallel
↣ Mercury and Uranus square (1°51' separating)
↣ Mercury and Equatorial Ascendant conjunction (5°14' applying)
↣ Mercury and Midheaven square (0°36' applying)
↣ Venus and Jupiter square (0°43' applying)
↣ Venus and North Node trine (4°47' applying)
↣ Mars and Jupiter sextile (4°30' separating)
↣ Mars and Saturn trine (0°03' applying)
↣ Mars and Neptune sextile (4°12' separating)
↣ Mars and Pluto trine (4°43' applying)
↣ Jupiter and Saturn sextile (4°33' applying)
↣ Jupiter and Neptune trine (0°18' applying)
↣ Jupiter and North Node parallel
↣ Jupiter and Ascendant conjunction (9°11' applying) parallel
↣ Saturn and Neptune opposition (4°15' separating) antiparallel
↣ Saturn and Pluto trine (4°40' applying)
↣ Saturn and North Node square (0°29' separating)
↣ Uranus and Equatorial Ascendant square (3°23' applying)
↣ Uranus and Ascendant trine (2°21' separating)
↣ Uranus and Midheaven opposition (1°15' separating) antiparallel
↣ Neptune and North Node square (3°46' separating)
↣ Pluto and North Node antiparallel
↣ Pluto and Equatorial Ascendant opposition (5°52' separating)
↣ Pluto and Ascendant antiparallel
↣ North Node and Ascendant parallel
Birth data
- Original name
- Giorgio Domenico Guidi
- Chart date
- 20/02/1937
- Chart time
- 04:45
- Date and time quality
- AA Birth record cited what does this mean?
- Data origin
- Astro-Databank
- Location
-
Milan, Italy - Latitude and longitude
- 45°28' North · 9°12' East
- Time zone
- 01:00 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Johnny Dorelli, stage name of Giorgio Domenico Guidi, is an Italian singer, actor and television host whose career spanned from the 1950s into the 21st century. Trained in music in New York, he began as a crooner and pianist and returned to Italy in the 1950s, where he won audiences with renditions of American standards and light hits such as “Calypso Melody.” He was co-winner of the Sanremo Music Festival in 1958 and 1959 with emblematic songs that shaped Italian music of the era, including “Nel blu, dipinto di blu” and “Piove (Ciao, ciao bambina).”
In addition to his musical career, Dorelli worked in film and television, excelling in comedies and roles that brought him popularity, such as the lead in the parody How to Kill 400 Duponts (1967). His major theatrical success came with the musical Aggiungi un posto a tavola, which had a West End production in London.
After periods of lower visibility, he returned to prominence in the 1980s and maintained an occasional presence in film and television through the 2000s. Known for his repertoire of popular songs and crooner style, he left a legacy within the Italian entertainment tradition from the postwar years to the cultural modernism of subsequent decades.
