Birth Chart
Kristin Hersh
Martha Kristin Hersh
Sun Leo
Moon Aries
Ascendant Libra
Influences in signs
↣ Sun in Leo - 14°44' - in house 10
↣ Moon in Aries - 24°08' - in house 7
↣ Mercury in Leo - 00°20' - in house 10 - retrograde
↣ Venus in Cancer - 20°29' - in house 9
↣ Mars in Cancer - 18°21' - in house 9
↣ Jupiter in Cancer - 20°27' - in house 9
↣ Saturn in Pisces - 29°05' - in house 5/6 - retrograde
↣ Uranus in Virgo - 17°49' - in house 11
↣ Neptune in Scorpio - 19°25' - in house 1/2
↣ Pluto in Virgo - 17°04' - in house 11
↣ North Node in Taurus - 21°11' - in house 7/8 - retrograde
↣ Ascendant in Libra - 29°44' - in house 1
↣ Midheaven in Leo - 03°05' - in house 10
↣ Equatorial Ascendant in Scorpio - 07°44'
Influences in houses
↣ Sun in house 10
↣ Moon in house 7
↣ Mercury in house 10
↣ Venus in house 9
↣ Mars in house 9
↣ Jupiter in house 9
↣ Saturn in house 5/6
↣ Uranus in house 11
↣ Neptune in house 1/2
↣ Pluto in house 11
↣ North Node in house 7/8
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Mercury parallel
↣ Sun and Neptune square (4°42' applying) antiparallel
↣ Sun and North Node square (6°27' applying)
↣ Sun and Equatorial Ascendant square (6°59' applying)
↣ Sun and Midheaven conjunction (11°38' applying)
↣ Moon and Mercury square (6°13' applying)
↣ Moon and Venus square (3°39' separating)
↣ Moon and Mars square (5°47' separating)
↣ Moon and Jupiter square (3°41' separating)
↣ Moon and Ascendant opposition (5°36' separating)
↣ Mercury and Venus conjunction (9°51' applying)
↣ Mercury and Saturn trine (1°15' separating)
↣ Mercury and Neptune antiparallel
↣ Mercury and Ascendant square (0°37' applying)
↣ Mercury and Midheaven conjunction (2°45' separating)
↣ Venus and Mars conjunction (2°08' separating)
↣ Venus and Jupiter conjunction (0°02' separating) parallel
↣ Venus and Uranus sextile (2°40' separating)
↣ Venus and Neptune trine (1°04' separating)
↣ Venus and Pluto sextile (3°26' separating)
↣ Venus and North Node sextile (0°41' applying)
↣ Mars and Jupiter conjunction (2°06' applying) parallel
↣ Mars and Uranus sextile (0°32' separating)
↣ Mars and Neptune trine (1°04' applying)
↣ Mars and Pluto sextile (1°18' separating)
↣ Mars and North Node sextile (2°49' applying)
↣ Jupiter and Uranus sextile (2°38' separating)
↣ Jupiter and Neptune trine (1°02' separating)
↣ Jupiter and Pluto sextile (3°23' separating)
↣ Jupiter and North Node sextile (0°44' applying)
↣ Saturn and Midheaven trine (4°00' separating)
↣ Uranus and Neptune sextile (1°36' applying)
↣ Uranus and Pluto conjunction (0°45' separating)
↣ Uranus and North Node trine (3°22' applying)
↣ Neptune and Pluto sextile (2°22' applying)
↣ Neptune and North Node opposition (1°45' applying)
↣ Pluto and North Node trine (4°07' applying) parallel
Birth data
- Original name
- Martha Kristin Hersh
- Chart date
- 07/08/1966
- Chart time
- 11:56
- Date and time quality
- A Memory what does this mean?
- Data origin
- Astro-Databank
- Location
-
Atlanta (GA), USA - Latitude and longitude
- 33°45' North · 84°23' West
- Time zone
- 05:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Kristin Hersh is an American singer, guitarist, songwriter, and author, known both for her solo work and for her role in the alternative rock bands Throwing Muses and 50FootWave. The author of eleven solo albums, Hersh moves between dissonant timbres and folk arrangements, with stream-of-consciousness lyrics that reflect personal experiences and an intense approach to songcraft.
Rooted in the United States’ alternative scene, she rose to prominence with Throwing Muses, the first American band signed to the British label 4AD, and later secured U.S. deals that kept the band active on European and American tours. In the late 1990s and 2000s she released acoustic and electric recordings demonstrating her versatility—from the minimalism of Hips and Makers to the power-trio energy of 50FootWave.
Concerned with artistic autonomy and distribution, she founded the label ThrowingMusic and developed direct-to-fan initiatives, such as subscription services and digital projects that let her control formats and releases. Her career is characterized by a pursuit of independence from the industry and by an approach that treats music as human expression rather than commodity.
