Birth Chart
Laura Betti
Laura Trombetti
Sun Taurus
Moon Taurus
Ascendant Cancer
Influences in signs
↣ Sun in Taurus - 10°01' - in house 10/11
↣ Moon in Taurus - 08°01' - in house 10/11
↣ Mercury in Aries - 20°52' - in house 10
↣ Venus in Gemini - 17°14' - in house 11/12
↣ Mars in Cancer - 08°24' - in house 12
↣ Jupiter in Pisces - 23°47' - in house 9
↣ Saturn in Sagittarius - 06°09' - in house 5 - retrograde
↣ Uranus in Aries - 01°37' - in house 10
↣ Neptune in Leo - 24°12' - in house 2 - retrograde
↣ Pluto in Cancer - 14°00' - in house 12
↣ North Node in Gemini - 28°55' - in house 12 - retrograde
↣ Ascendant in Cancer - 27°53' - in house 1
↣ Midheaven in Aries - 09°04' - in house 10
↣ Equatorial Ascendant in Cancer - 07°38'
Influences in houses
↣ Sun in house 10/11
↣ Moon in house 10/11
↣ Mercury in house 10
↣ Venus in house 11/12
↣ Mars in house 12
↣ Jupiter in house 9
↣ Saturn in house 5
↣ Uranus in house 10
↣ Neptune in house 2
↣ Pluto in house 12
↣ North Node in house 12
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon conjunction (2°00' applying)
↣ Sun and Mars sextile (1°36' separating)
↣ Sun and Neptune parallel
↣ Sun and Pluto sextile (4°00' applying)
↣ Sun and Equatorial Ascendant sextile (2°22' applying)
↣ Moon and Mars sextile (0°23' applying)
↣ Moon and Pluto sextile (5°59' applying)
↣ Moon and Equatorial Ascendant sextile (0°22' applying)
↣ Mercury and Venus sextile (3°37' separating)
↣ Mercury and Neptune trine (3°20' applying)
↣ Venus and Mars parallel
↣ Mars and Pluto conjunction (5°36' applying)
↣ Mars and Equatorial Ascendant conjunction (0°45' applying)
↣ Mars and Midheaven square (0°40' separating)
↣ Jupiter and Uranus conjunction (7°51' applying)
↣ Jupiter and North Node square (5°08' applying)
↣ Jupiter and Ascendant trine (4°06' separating)
↣ Jupiter and Midheaven antiparallel
↣ Saturn and Uranus trine (4°32' applying)
↣ Saturn and Midheaven trine (2°54' separating)
↣ Uranus and North Node square (2°42' separating)
↣ Uranus and Equatorial Ascendant square (6°01' separating) parallel
↣ Uranus and Ascendant trine (3°45' applying)
↣ Uranus and Midheaven conjunction (7°26' separating)
↣ Neptune and North Node sextile (4°43' applying)
↣ Pluto and Equatorial Ascendant conjunction (6°21' applying)
↣ Pluto and Ascendant parallel
↣ Pluto and Midheaven square (4°56' applying)
↣ North Node and Equatorial Ascendant conjunction (8°43' separating)
Birth data
- Original name
- Laura Trombetti
- Chart date
- 01/05/1927
- Chart time
- 10:15
- Date and time quality
- AA Birth record cited what does this mean?
- Data origin
- Astro-Databank
- Location
-
Casalecchio di Reno, Italy - Latitude and longitude
- 44°28' North · 11°16' East
- Time zone
- 01:00 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Laura Betti was an Italian actress whose career featured intense, antinatural performances, frequently in bizarre, grotesque, or manic roles. She became a touchstone of auteur cinema through collaborations with pivotal figures of postwar Italian film such as Federico Fellini — in whose La Dolce Vita she made her debut — Pier Paolo Pasolini, and Bernardo Bertolucci.
With Pasolini she forged a long friendship and artistic partnership: she appeared in seven of his films, including La ricotta, Teorema — a role that won her the Volpi Cup for Best Actress — and Salò. Bertolucci remembered her as the cruel Regina in Novecento, and she also had a part in Last Tango in Paris. She worked as well with genre directors like Mario Bava.
Beyond her film work, Betti devoted herself to music and to cultural and political activism, becoming a figure associated with the literary circles and Marxist currents of 1970s Italy. In 2001 she directed a documentary about Pasolini and subsequently organized and donated extensive documentation, books, and photographs that led to the creation of a Pasolini study center and to a fonds formed from her own archive.
Her legacy remains linked to those intense performances and to her role as guardian of Pasolini’s memory, affirming her place in Italy’s twentieth-century cultural history.
