Birth Chart
Lawrence Alma-Tadema
Lourens Alma Tadema
Sun Capricorn
Moon Virgo
Ascendant Taurus
Influences in signs
↣ Sun in Capricorn - 17°18' - in house 10
↣ Moon in Virgo - 08°04' - in house 6
↣ Mercury in Capricorn - 18°32' - in house 10
↣ Venus in Aquarius - 10°31' - in house 11
↣ Mars in Capricorn - 12°20' - in house 10
↣ Jupiter in Cancer - 10°01' - in house 3 - retrograde
↣ Saturn in Scorpio - 04°10' - in house 7
↣ Uranus in Aquarius - 28°13' - in house 11/12
↣ Neptune in Aquarius - 02°53' - in house 11
↣ Pluto in Aries - 12°51' - in house 12
↣ North Node in Taurus - 27°56' - in house 1 - retrograde
↣ Ascendant in Taurus - 10°23' - in house 1
↣ Midheaven in Capricorn - 15°44' - in house 10
↣ Equatorial Ascendant in Aries - 18°30'
Influences in houses
↣ Sun in house 10
↣ Moon in house 6
↣ Mercury in house 10
↣ Venus in house 11
↣ Mars in house 10
↣ Jupiter in house 3
↣ Saturn in house 7
↣ Uranus in house 11/12
↣ Neptune in house 11
↣ Pluto in house 12
↣ North Node in house 1
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Mercury conjunction (1°14' separating)
↣ Sun and Mars conjunction (4°58' separating) parallel
↣ Sun and Jupiter opposition (7°17' separating) antiparallel
↣ Sun and Pluto square (4°27' separating)
↣ Sun and Equatorial Ascendant square (1°12' separating)
↣ Sun and Ascendant trine (6°55' applying)
↣ Sun and Midheaven conjunction (1°34' applying) parallel
↣ Moon and Mars trine (4°16' applying)
↣ Moon and Jupiter sextile (1°57' applying)
↣ Moon and Saturn sextile (3°55' separating)
↣ Moon and Uranus opposition (9°51' separating) antiparallel
↣ Moon and Ascendant trine (2°19' separating)
↣ Mercury and Mars conjunction (6°12' separating) parallel
↣ Mercury and Jupiter opposition (8°31' separating) antiparallel
↣ Mercury and Pluto square (5°41' separating)
↣ Mercury and Equatorial Ascendant square (0°02' applying)
↣ Mercury and Midheaven conjunction (2°48' applying)
↣ Venus and Neptune conjunction (7°38' separating) parallel
↣ Venus and Pluto sextile (2°19' applying)
↣ Venus and North Node antiparallel
↣ Venus and Ascendant square (0°09' applying)
↣ Mars and Jupiter opposition (2°18' separating) antiparallel
↣ Mars and Pluto square (0°31' applying)
↣ Mars and Equatorial Ascendant square (6°11' separating)
↣ Mars and Ascendant trine (1°57' applying)
↣ Mars and Midheaven conjunction (3°24' separating)
↣ Jupiter and Saturn trine (5°52' applying)
↣ Jupiter and Pluto square (2°50' separating)
↣ Jupiter and Ascendant sextile (0°22' separating)
↣ Jupiter and Midheaven opposition (5°42' separating) antiparallel
↣ Saturn and Uranus trine (5°56' separating)
↣ Saturn and Neptune square (1°16' separating)
↣ Saturn and Pluto parallel
↣ Saturn and Ascendant opposition (6°13' separating)
↣ Uranus and North Node square (0°17' separating)
↣ Neptune and North Node trine (4°57' separating) antiparallel
↣ Pluto and Equatorial Ascendant conjunction (5°39' separating)
↣ Pluto and Midheaven square (2°53' separating)
Birth data
- Original name
- Lourens Alma Tadema
- Chart date
- 08/01/1836
- Chart time
- 12:00
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Dronryp, Netherlands - Latitude and longitude
- 53°11' North · 5°38' East
- Time zone
- 00:23 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Lawrence Alma-Tadema (born Lourens Alma Tadema) was a Dutch-born painter and draftsman who rose to great prominence in the late 19th century for his neoclassical scenes of Antiquity. Trained at the Royal Academy of Fine Arts in Antwerp, he built his reputation with meticulously rendered works that depict the luxury and decadence of the Roman Empire and ancient Greece, notable for convincing representations of marble, Mediterranean light, and architectural compositions.
Settling in England from 1870, Alma-Tadema became a central figure in the British art world, taking British citizenship and receiving international prizes and honors, including a knighthood from Queen Victoria. He also worked in theatre, furniture design, and illustration, extending his influence beyond easel painting.
Widely admired during his lifetime, his prestige waned after his death, only to be rediscovered and reassessed in later decades of the 20th century as one of the leading figures of Victorian English painting. His legacy remains linked to the visual reconstruction of Antiquity and to technical virtuosity in depicting classical surfaces and settings.
