Birth Chart
Marni Nixon
Margaret Nixon McEathron
Sun Pisces
Moon Capricorn
Ascendant Leo
Influences in signs
↣ Sun in Pisces - 03°41' - in house 7
↣ Moon in Capricorn - 03°14' - in house 5
↣ Mercury in Aquarius - 08°32' - in house 6
↣ Venus in Pisces - 07°38' - in house 7
↣ Mars in Aquarius - 12°38' - in house 6
↣ Jupiter in Gemini - 07°12' - in house 10
↣ Saturn in Capricorn - 09°18' - in house 5
↣ Uranus in Aries - 09°17' - in house 8/9
↣ Neptune in Virgo - 02°10' - in house 1 - retrograde
↣ Pluto in Cancer - 17°43' - in house 11/12 - retrograde
↣ North Node in Taurus - 05°05' - in house 9 - retrograde
↣ Ascendant in Leo - 22°41' - in house 1
↣ Midheaven in Taurus - 17°46' - in house 10
↣ Equatorial Ascendant in Leo - 12°50'
Influences in houses
↣ Sun in house 7
↣ Moon in house 5
↣ Mercury in house 6
↣ Venus in house 7
↣ Mars in house 6
↣ Jupiter in house 10
↣ Saturn in house 5
↣ Uranus in house 8/9
↣ Neptune in house 1
↣ Pluto in house 11/12
↣ North Node in house 9
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon sextile (0°26' applying)
↣ Sun and Venus conjunction (3°58' separating) parallel
↣ Sun and Jupiter square (3°31' applying)
↣ Sun and Saturn sextile (5°37' applying)
↣ Sun and Neptune opposition (1°31' separating) antiparallel
↣ Sun and North Node sextile (1°24' applying)
↣ Sun and Ascendant opposition (11°00' applying)
↣ Moon and Venus sextile (4°24' applying)
↣ Moon and Saturn conjunction (6°04' applying)
↣ Moon and Uranus square (6°02' applying)
↣ Moon and Neptune trine (1°04' separating)
↣ Moon and North Node trine (1°50' applying)
↣ Mercury and Mars conjunction (4°06' applying) parallel
↣ Mercury and Jupiter trine (1°20' separating)
↣ Mercury and Uranus sextile (0°44' applying)
↣ Mercury and North Node square (3°28' separating)
↣ Mercury and Equatorial Ascendant opposition (4°18' separating)
↣ Venus and Jupiter square (0°26' separating)
↣ Venus and Saturn sextile (1°40' applying)
↣ Venus and Neptune opposition (5°28' separating)
↣ Venus and North Node sextile (2°34' separating)
↣ Mars and Jupiter trine (5°26' separating)
↣ Mars and Uranus sextile (3°21' separating)
↣ Mars and Equatorial Ascendant opposition (0°12' separating)
↣ Mars and Ascendant opposition (10°02' separating)
↣ Mars and Midheaven square (5°08' separating) antiparallel
↣ Jupiter and Uranus sextile (2°05' applying)
↣ Jupiter and Neptune square (5°02' separating)
↣ Jupiter and Equatorial Ascendant sextile (5°38' separating)
↣ Saturn and Uranus square (0°01' separating)
↣ Saturn and Pluto opposition (8°24' applying) antiparallel
↣ Saturn and North Node trine (4°14' separating)
↣ Uranus and Equatorial Ascendant trine (3°34' separating)
↣ Neptune and North Node trine (2°54' applying)
↣ Neptune and Ascendant conjunction (9°30' applying)
↣ Pluto and Midheaven sextile (0°04' separating)
↣ North Node and Ascendant parallel
Birth data
- Original name
- Margaret Nixon McEathron
- Chart date
- 22/02/1930
- Chart time
- 16:45
- Date and time quality
- B Biography/autobiography what does this mean?
- Data origin
- Astro-Databank
- Location
-
Altadena (CA), USA - Latitude and longitude
- 34°11' North · 118°08' West
- Time zone
- 08:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Marni Nixon (Margaret McEathron) was an American soprano whose voice became a recurring presence in Hollywood’s major musicals, though it was not always attached to the face on screen. She became famous for dubbing the singing parts of actresses such as Deborah Kerr (The King and I), Natalie Wood (West Side Story), and Audrey Hepburn (My Fair Lady), and she supplied high notes for Marilyn Monroe in Gentlemen Prefer Blondes. That informal work earned her nicknames like “The Voice of Hollywood” and the reputation of a “ghost singer” of classic musicals.
In addition to her dubbing career, Nixon worked as an actress—most notably as Sister Sophia in The Sound of Music (1965), where she was able to sing with on-screen credit—and maintained a substantial presence in musical theatre, playing roles such as Eliza Doolittle in My Fair Lady and appearing in Broadway revivals including Follies and Nine. She also recorded classical repertoire and American songs by composers such as Kern and Gershwin.
With the decline of film musicals, she shifted much of her career to the stage, children’s television, and concert work; she became better known to the public after the films were reissued and distributed on home video. Her career influenced discussions about artistic credit and the visibility of the voices behind iconic performances.
