Birth Chart
Percy Adlon
Paul Rudolf Parsifal Adlon
Sun Gemini
Moon Gemini
When the birth time is unknown, the chart is calculated for 12:00 noon without using the astrological houses system. Are the planets in the wrong houses?
Influences in signs
↣ Sun in Gemini - 10°01'
↣ Moon in Gemini - 11°38'
↣ Mercury in Cancer - 01°48'
↣ Venus in Cancer - 23°07'
↣ Mars in Libra - 07°20'
↣ Jupiter in Scorpio - 15°44' - retrograde
↣ Saturn in Pisces - 09°53'
↣ Uranus in Taurus - 03°36'
↣ Neptune in Virgo - 11°49'
↣ Pluto in Cancer - 24°26'
↣ North Node in Capricorn - 22°37' - retrograde
Aspects
↣ Sun and Moon conjunction (1°37' separating)
↣ Sun and Mars trine (2°42' separating)
↣ Sun and Saturn square (0°08' separating)
↣ Sun and Neptune square (1°47' applying)
↣ Sun and Pluto parallel
↣ Sun and North Node antiparallel
↣ Moon and Mercury parallel
↣ Moon and Mars trine (4°18' separating)
↣ Moon and Saturn square (1°45' separating)
↣ Moon and Neptune square (0°11' applying)
↣ Mercury and Venus parallel
↣ Mercury and Mars square (5°32' applying)
↣ Mercury and Uranus sextile (1°48' applying)
↣ Venus and Pluto conjunction (1°19' applying) parallel
↣ Venus and North Node opposition (0°30' separating)
↣ Jupiter and Saturn trine (5°50' applying)
↣ Jupiter and Neptune sextile (3°55' applying)
↣ Saturn and Neptune opposition (1°55' applying)
↣ Pluto and North Node opposition (1°49' separating)
Birth data
- Original name
- Paul Rudolf Parsifal Adlon
- Chart date
- 01/06/1935
- Chart time
- No time
- Date and time quality
- XX Time not informed what does this mean?
- Data origin
- Astro-Databank
- Location
-
Munich, Germany - Latitude and longitude
- 48°08' North · 11°34' East
- Time zone
- 01:00 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Percy Adlon was a German filmmaker known for films that blend artistic sensibility with social themes, with a strong focus on female characters and positive portrayals of lesbian relationships. Emerging within the context of the New German Cinema, he built a career as a director, screenwriter and producer, beginning in television and documentary work before moving into feature films that premiered at international festivals.
His name became internationally associated with Bagdad Cafe (1987), a critical and popular success that affirmed his humanist and comic approach to cultural encounters. Other notable works include Céleste (1980), Rosalie Goes Shopping (1989), Salmonberries (1991) and Younger and Younger (1993), films that earned festival prizes and critical recognition for their treatment of cultural identity and gender issues.
In addition to his film work, Adlon produced numerous television pieces and art documentaries, and collaborated with his son Félix on later projects. His filmography combines formal experimentation with an interest in marginalized characters, leaving a body of work that engages both European and American contemporary cinema.
