Birth Chart
Princess of Savoy Mafalda
Mafalda Maria Elisabetta Anna Romana
Sun Scorpio
Moon Cancer
Ascendant Virgo
Influences in signs
↣ Sun in Scorpio - 25°46' - in house 3
↣ Moon in Cancer - 12°07' - in house 10
↣ Mercury in Scorpio - 12°39' - in house 2/3
↣ Venus in Scorpio - 23°17' - in house 3
↣ Mars in Virgo - 14°34' - in house 1
↣ Jupiter in Aquarius - 10°40' - in house 5
↣ Saturn in Capricorn - 23°28' - in house 5
↣ Uranus in Sagittarius - 19°58' - in house 4
↣ Neptune in Cancer - 03°15' - in house 10 - retrograde
↣ Pluto in Gemini - 19°07' - in house 10 - retrograde
↣ North Node in Libra - 24°56' - in house 2 - retrograde
↣ Ascendant in Virgo - 22°49' - in house 1
↣ Midheaven in Gemini - 21°35' - in house 10
↣ Equatorial Ascendant in Virgo - 20°02'
Influences in houses
↣ Sun in house 3
↣ Moon in house 10
↣ Mercury in house 2/3
↣ Venus in house 3
↣ Mars in house 1
↣ Jupiter in house 5
↣ Saturn in house 5
↣ Uranus in house 4
↣ Neptune in house 10
↣ Pluto in house 10
↣ North Node in house 2
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon antiparallel
↣ Sun and Venus conjunction (2°29' applying) parallel
↣ Sun and Jupiter parallel
↣ Sun and Saturn sextile (2°18' separating)
↣ Sun and Equatorial Ascendant sextile (5°43' applying)
↣ Sun and Ascendant sextile (2°56' applying)
↣ Moon and Mercury trine (0°32' applying)
↣ Moon and Venus antiparallel
↣ Moon and Mars sextile (2°27' applying)
↣ Moon and Jupiter antiparallel
↣ Moon and Neptune conjunction (8°52' separating)
↣ Mercury and Mars sextile (1°55' applying)
↣ Mercury and Jupiter square (1°59' separating)
↣ Mercury and Pluto antiparallel
↣ Venus and Jupiter parallel
↣ Venus and Saturn sextile (0°11' applying)
↣ Venus and Equatorial Ascendant sextile (3°14' applying)
↣ Venus and Ascendant sextile (0°27' applying)
↣ Mars and Uranus square (5°24' applying)
↣ Mars and Pluto square (4°33' applying)
↣ Mars and Equatorial Ascendant conjunction (5°29' separating)
↣ Mars and Ascendant conjunction (8°16' separating)
↣ Saturn and Neptune antiparallel
↣ Saturn and North Node square (1°29' applying)
↣ Saturn and Equatorial Ascendant trine (3°25' applying)
↣ Saturn and Ascendant trine (0°38' applying)
↣ Uranus and Neptune antiparallel
↣ Uranus and Pluto opposition (0°51' separating)
↣ Uranus and North Node sextile (4°58' applying)
↣ Uranus and Equatorial Ascendant square (0°04' separating)
↣ Uranus and Ascendant square (2°51' separating)
↣ Uranus and Midheaven opposition (1°38' separating) antiparallel
↣ Neptune and Midheaven parallel
↣ Pluto and North Node trine (5°50' applying)
↣ Pluto and Equatorial Ascendant square (0°56' separating)
↣ Pluto and Ascendant square (3°43' separating)
↣ Pluto and Midheaven conjunction (2°29' separating)
↣ North Node and Midheaven trine (3°21' applying)
Birth data
- Original name
- Mafalda Maria Elisabetta Anna Romana
- Chart date
- 19/11/1902
- Chart time
- 01:45
- Date and time quality
- A News report what does this mean?
- Data origin
- Astro-Databank
- Location
-
Rome, Italy - Latitude and longitude
- 41°54' North · 12°29' East
- Time zone
- 01:00 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Mafalda Maria Elisabetta Anna Romana of Savoy was a princess of the House of Savoy, the daughter of King Victor Emmanuel III of Italy and Elena of Montenegro. Known for her interest in the arts and for her charitable work during World War I, she maintained a public role tied to the Italian royal family and European aristocratic traditions.
In 1925 she married Prince Philip of Hesse-Cassel, a union that had political repercussions in the context of relations between Fascist Italy and Nazi Germany. Despite family and diplomatic ties, Mafalda held positions opposed to Nazi ideals, which brought her into conflict with German authorities during World War II.
After the fall of the Fascist government in Italy and the German occupation, Mafalda was arrested by the Gestapo and transferred to the Buchenwald concentration camp. During an Allied bombing raid in August 1944 she suffered severe injuries; those wounds and subsequent complications led to her death in the camp.
Mafalda’s death had symbolic resonance in postwar Italy and was commemorated in various forms of public memory, including postal issues and media portrayals. Her fate is often cited as an example of prominent victims of Nazi repression and of the human cost of the alliances and conflicts that shaped wartime Europe.
