Birth Chart
René Clément
René Jean Clément
Sun Pisces
Moon Leo
Ascendant Cancer
Influences in signs
↣ Sun in Pisces - 27°20' - in house 9
↣ Moon in Leo - 02°08' - in house 1
↣ Mercury in Aries - 11°58' - in house 10 - retrograde
↣ Venus in Taurus - 07°49' - in house 10/11
↣ Mars in Aquarius - 20°56' - in house 8
↣ Jupiter in Capricorn - 14°24' - in house 6
↣ Saturn in Taurus - 29°18' - in house 11
↣ Uranus in Aquarius - 06°20' - in house 7
↣ Neptune in Cancer - 23°17' - in house 1 - retrograde
↣ Pluto in Gemini - 28°01' - in house 12
↣ North Node in Aries - 03°08' - in house 10 - retrograde
↣ Ascendant in Cancer - 29°20' - in house 1
↣ Midheaven in Aries - 10°47' - in house 10
↣ Equatorial Ascendant in Cancer - 09°07'
Influences in houses
↣ Sun in house 9
↣ Moon in house 1
↣ Mercury in house 10
↣ Venus in house 10/11
↣ Mars in house 8
↣ Jupiter in house 6
↣ Saturn in house 11
↣ Uranus in house 7
↣ Neptune in house 1
↣ Pluto in house 12
↣ North Node in house 10
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon trine (4°48' separating)
↣ Sun and Saturn sextile (1°57' applying)
↣ Sun and Neptune trine (4°03' separating)
↣ Sun and Pluto square (0°40' applying)
↣ Sun and North Node conjunction (5°47' applying) antiparallel
↣ Sun and Equatorial Ascendant parallel
↣ Sun and Ascendant trine (2°00' separating)
↣ Moon and Venus square (5°40' applying)
↣ Moon and Saturn sextile (2°51' separating)
↣ Moon and Uranus opposition (4°11' applying)
↣ Moon and Neptune conjunction (8°51' separating)
↣ Moon and North Node trine (0°59' applying)
↣ Moon and Ascendant conjunction (2°48' applying)
↣ Mercury and Jupiter square (2°26' separating)
↣ Mercury and Uranus sextile (5°37' applying)
↣ Mercury and North Node conjunction (8°49' separating)
↣ Mercury and Equatorial Ascendant square (2°51' applying)
↣ Mercury and Midheaven conjunction (1°10' applying)
↣ Venus and Saturn parallel
↣ Venus and Uranus square (1°29' separating) antiparallel
↣ Venus and Equatorial Ascendant sextile (1°18' separating)
↣ Jupiter and Equatorial Ascendant opposition (5°17' applying)
↣ Jupiter and Midheaven square (3°37' applying)
↣ Saturn and Uranus antiparallel
↣ Saturn and Pluto parallel
↣ Saturn and North Node sextile (3°50' applying)
↣ Saturn and Ascendant sextile (0°02' separating)
↣ Uranus and North Node sextile (3°12' separating)
↣ Uranus and Ascendant opposition (7°00' applying)
↣ Uranus and Midheaven sextile (4°27' separating)
↣ Neptune and Ascendant conjunction (6°03' separating) parallel
↣ Pluto and North Node square (5°07' applying)
↣ North Node and Equatorial Ascendant square (5°59' separating)
↣ North Node and Ascendant trine (3°48' applying)
↣ North Node and Midheaven conjunction (7°39' separating)
Birth data
- Original name
- René Jean Clément
- Chart date
- 18/03/1913
- Chart time
- 13:00
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Bordeaux, France - Latitude and longitude
- 44°50' North · 0°34' West
- Time zone
- 00:00
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
René Clément was one of the central figures of postwar French cinema, known for his narrative sensitivity and mastery of mise-en-scène. He began his career as a screenwriter in the 1930s, collaborating with figures such as Jacques Tati, and quickly moved into directing, becoming an influential presence in the revival of European cinema after World War II.
Over his career he earned considerable prestige at film festivals: he won the Palme d'Or for best director at the Cannes Film Festival on three separate occasions, with notable titles such as La Bataille du rail, Les Maudits and Au-delà des grilles. He also received two Academy Awards for Best Foreign Language Film, which affirmed his international reach.
His work balances war dramas, suspense and literary adaptations; among his best-known films is Plein soleil (1960), which introduced Alain Delon to an international audience. Clément’s work is remembered for its technical restraint, attention to actors’ performances and lasting influence on generations of French filmmakers.
