Birth Chart
Sylvia Bataille
Sylvia Maklès
Sun Scorpio
Moon Aquarius
Ascendant Sagittarius
Influences in signs
↣ Sun in Scorpio - 08°38' - in house 10
↣ Moon in Aquarius - 06°46' - in house 2
↣ Mercury in Scorpio - 00°28' - in house 10 - retrograde
↣ Venus in Virgo - 27°37' - in house 9
↣ Mars in Libra - 14°19' - in house 9
↣ Jupiter in Virgo - 09°28' - in house 8/9
↣ Saturn in Aries - 04°27' - in house 3 - retrograde
↣ Uranus in Capricorn - 13°36' - in house 1
↣ Neptune in Cancer - 17°05' - in house 7 - retrograde
↣ Pluto in Gemini - 25°37' - in house 7 - retrograde
↣ North Node in Gemini - 27°04' - in house 7
↣ Ascendant in Sagittarius - 26°04' - in house 1
↣ Midheaven in Libra - 27°22' - in house 10
↣ Equatorial Ascendant in Capricorn - 23°33'
Influences in houses
↣ Sun in house 10
↣ Moon in house 2
↣ Mercury in house 10
↣ Venus in house 9
↣ Mars in house 9
↣ Jupiter in house 8/9
↣ Saturn in house 3
↣ Uranus in house 1
↣ Neptune in house 7
↣ Pluto in house 7
↣ North Node in house 7
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon square (1°51' applying)
↣ Sun and Mercury conjunction (8°10' separating)
↣ Sun and Jupiter sextile (0°50' applying)
↣ Sun and Uranus sextile (4°59' applying)
↣ Sun and Midheaven conjunction (11°15' applying)
↣ Moon and Mercury square (6°19' separating)
↣ Moon and Saturn sextile (2°20' separating)
↣ Moon and Uranus parallel
↣ Moon and Neptune antiparallel
↣ Mercury and Pluto trine (4°51' applying)
↣ Mercury and North Node trine (3°24' applying)
↣ Mercury and Ascendant sextile (4°23' applying)
↣ Mercury and Midheaven conjunction (3°05' applying) parallel
↣ Venus and Saturn opposition (6°50' applying)
↣ Venus and Pluto square (2°00' separating)
↣ Venus and North Node square (0°33' separating)
↣ Venus and Equatorial Ascendant trine (4°04' applying)
↣ Venus and Ascendant square (1°33' applying)
↣ Mars and Uranus square (0°42' separating)
↣ Mars and Neptune square (2°46' applying)
↣ Jupiter and Uranus trine (4°08' applying)
↣ Saturn and Equatorial Ascendant parallel
↣ Uranus and Neptune opposition (3°28' applying)
↣ Uranus and North Node antiparallel
↣ Uranus and Equatorial Ascendant conjunction (9°57' separating)
↣ Uranus and Ascendant parallel
↣ Neptune and Equatorial Ascendant opposition (6°28' separating)
↣ Pluto and North Node conjunction (1°27' separating)
↣ Pluto and Ascendant opposition (0°27' separating)
↣ Pluto and Midheaven trine (1°46' separating)
↣ North Node and Ascendant opposition (0°59' applying) antiparallel
↣ North Node and Midheaven trine (0°19' separating)
Birth data
- Original name
- Sylvia Maklès
- Chart date
- 01/11/1908
- Chart time
- 11:00
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Paris, France - Latitude and longitude
- 48°52' North · 2°20' East
- Time zone
- 00:09 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Sylvia Bataille (born Sylvia Maklès) was a French actress of Romanian–Jewish origin, active mainly from the 1930s through the 1950s. Trained at Charles Dullin’s school, she made her stage debut with the Groupe Octobre under Jacques Prévert before moving into film, where she became known for character roles and for work in the French cinematic tradition of the period.
Her filmography includes collaborations with notable directors such as Jean Renoir — in Partie de campagne (1936) and The Crime of Monsieur Lange (1936) — as well as films directed by Marcel Carné, Jacques Feyder and Roberto Rossellini. In 1936 she played what is often cited as her most memorable role in A Day in the Country, which cemented her presence in the era’s avant-garde and realist cinema.
On a personal level, she was connected to prominent intellectual figures: she was married to the writer Georges Bataille and later partner and then wife of the psychoanalyst Jacques Lacan; her relationships intersected with Paris’s twentieth‑century cultural milieu. Her legacy remains tied to a career defined by expressive choices in classic French theatre and cinema.
