Birth Chart
Tetê Espíndola
Terezinha Maria Miranda Espíndola
Sun Pisces
Moon Gemini
Ascendant Libra
Influences in signs
↣ Sun in Pisces - 20°52' - in house 6
↣ Moon in Gemini - 23°48' - in house 9
↣ Mercury in Pisces - 02°04' - in house 5 - retrograde
↣ Venus in Aries - 00°50' - in house 6
↣ Mars in Sagittarius - 16°01' - in house 2/3
↣ Jupiter in Gemini - 17°50' - in house 9
↣ Saturn in Scorpio - 08°55' - in house 1 - retrograde
↣ Uranus in Cancer - 19°07' - in house 10 - retrograde
↣ Neptune in Libra - 25°34' - in house 1 - retrograde
↣ Pluto in Leo - 23°10' - in house 11 - retrograde
↣ North Node in Capricorn - 22°13' - in house 4
↣ Ascendant in Libra - 21°46' - in house 1
↣ Midheaven in Cancer - 15°37' - in house 10
↣ Equatorial Ascendant in Libra - 18°22'
Influences in houses
↣ Sun in house 6
↣ Moon in house 9
↣ Mercury in house 5
↣ Venus in house 6
↣ Mars in house 2/3
↣ Jupiter in house 9
↣ Saturn in house 1
↣ Uranus in house 10
↣ Neptune in house 1
↣ Pluto in house 11
↣ North Node in house 4
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon square (2°56' separating)
↣ Sun and Venus conjunction (9°59' separating)
↣ Sun and Mars square (4°51' separating)
↣ Sun and Jupiter square (3°02' separating)
↣ Sun and Uranus trine (1°45' separating)
↣ Sun and North Node sextile (1°22' applying)
↣ Sun and Midheaven trine (5°15' applying)
↣ Moon and Mars opposition (7°47' separating)
↣ Moon and Jupiter conjunction (5°58' separating)
↣ Moon and Neptune trine (1°46' applying)
↣ Moon and Pluto sextile (0°38' separating)
↣ Moon and Equatorial Ascendant trine (5°26' applying)
↣ Moon and Ascendant trine (2°02' applying)
↣ Mercury and Neptune parallel
↣ Mercury and Pluto opposition (8°55' applying)
↣ Mercury and Ascendant parallel
↣ Venus and Equatorial Ascendant parallel
↣ Mars and Jupiter opposition (1°49' applying) antiparallel
↣ Mars and Uranus antiparallel
↣ Mars and North Node parallel
↣ Mars and Equatorial Ascendant sextile (2°21' separating)
↣ Mars and Ascendant sextile (5°46' separating)
↣ Mars and Midheaven antiparallel
↣ Jupiter and Uranus parallel
↣ Jupiter and Pluto sextile (5°20' applying) parallel
↣ Jupiter and Equatorial Ascendant trine (0°32' separating)
↣ Jupiter and Ascendant trine (3°57' separating)
↣ Jupiter and Midheaven parallel
↣ Uranus and Pluto parallel
↣ Uranus and North Node opposition (3°07' separating) antiparallel
↣ Uranus and Equatorial Ascendant square (0°45' applying)
↣ Uranus and Ascendant square (2°40' separating)
↣ Uranus and Midheaven conjunction (3°30' applying) parallel
↣ Neptune and Pluto sextile (2°24' applying)
↣ Neptune and North Node square (3°21' applying)
↣ Neptune and Equatorial Ascendant conjunction (7°12' applying)
↣ Neptune and Ascendant conjunction (3°48' applying) parallel
↣ Pluto and Equatorial Ascendant sextile (4°48' applying)
↣ Pluto and Ascendant sextile (1°23' applying)
↣ Pluto and Midheaven parallel
↣ North Node and Equatorial Ascendant square (3°52' applying)
↣ North Node and Ascendant square (0°27' applying)
↣ North Node and Midheaven opposition (6°37' applying) antiparallel
Birth data
- Original name
- Terezinha Maria Miranda Espíndola
- Chart date
- 11/03/1954
- Chart time
- 19:30
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Campo Grande (MS), Brazil - Latitude and longitude
- 20°27' South · 54°39' West
- Time zone
- 04:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Tetê Espíndola is a Brazilian singer, songwriter and multi-instrumentalist, known for a voice often regarded as one of the country’s most beautiful and exotic. Over more than four decades of work, she became known for sonic experimentation and for reworking themes tied to Brazil’s ecological world, earning awards and critical recognition for her unconventional approaches.
Born into a family of artists in Campo Grande, she built a career that blends regional tradition and innovation: she was part of the family group that originated the Tetê e o Lírio Selvagem project and later launched a solo career with the album Piraretã, forming notable partnerships such as with Arrigo Barnabé. As composer and performer she explored unusual timbres and instruments, most notably the craviola, an instrument with which she became associated over decades.
Her output ranged through aesthetic experiments described as “sertanejo lisérgico” and reached audiences on national and international circuits, with performances in Europe and awards at major festivals. In addition to music, she took part in audiovisual and performative projects, broadening her artistic legacy within the Brazilian cultural scene.
