Birth Chart
Timmy Thomas
Timothy Earle Thomas
Sun Scorpio
Moon Libra
Ascendant Capricorn
Influences in signs
↣ Sun in Scorpio - 21°11' - in house 10
↣ Moon in Libra - 25°51' - in house 10
↣ Mercury in Sagittarius - 04°52' - in house 11
↣ Venus in Sagittarius - 26°49' - in house 12
↣ Mars in Scorpio - 21°31' - in house 10
↣ Jupiter in Virgo - 22°25' - in house 8/9
↣ Saturn in Cancer - 10°22' - in house 7 - retrograde
↣ Uranus in Gemini - 11°55' - in house 5 - retrograde
↣ Neptune in Libra - 05°37' - in house 9
↣ Pluto in Leo - 10°16' - in house 7 - retrograde
↣ North Node in Cancer - 20°19' - in house 7 - retrograde
↣ Ascendant in Capricorn - 13°35' - in house 1
↣ Midheaven in Scorpio - 06°11' - in house 10
↣ Equatorial Ascendant in Aquarius - 01°37'
Influences in houses
↣ Sun in house 10
↣ Moon in house 10
↣ Mercury in house 11
↣ Venus in house 12
↣ Mars in house 10
↣ Jupiter in house 8/9
↣ Saturn in house 7
↣ Uranus in house 5
↣ Neptune in house 9
↣ Pluto in house 7
↣ North Node in house 7
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Mars conjunction (0°20' applying) parallel
↣ Sun and Jupiter sextile (1°13' applying)
↣ Sun and North Node trine (0°53' separating)
↣ Moon and Venus sextile (0°58' applying)
↣ Moon and Jupiter antiparallel
↣ Moon and North Node square (5°33' separating)
↣ Moon and Equatorial Ascendant square (5°46' separating)
↣ Moon and Midheaven conjunction (10°20' separating)
↣ Mercury and Saturn antiparallel
↣ Mercury and Uranus opposition (7°04' applying) antiparallel
↣ Mercury and Neptune sextile (0°45' applying)
↣ Mercury and Pluto trine (5°24' applying) antiparallel
↣ Mercury and North Node antiparallel
↣ Mercury and Equatorial Ascendant sextile (3°15' applying)
↣ Mercury and Ascendant parallel
↣ Venus and Jupiter square (4°24' separating)
↣ Mars and Jupiter sextile (0°54' applying)
↣ Mars and North Node trine (1°13' separating)
↣ Jupiter and North Node sextile (2°06' separating)
↣ Saturn and Uranus parallel
↣ Saturn and Neptune square (4°45' applying)
↣ Saturn and North Node parallel
↣ Saturn and Ascendant opposition (3°13' separating) antiparallel
↣ Saturn and Midheaven trine (4°11' applying)
↣ Uranus and Pluto sextile (1°39' applying)
↣ Uranus and North Node parallel
↣ Uranus and Ascendant antiparallel
↣ Neptune and Pluto sextile (4°40' applying)
↣ Neptune and Equatorial Ascendant trine (3°59' applying) parallel
↣ Pluto and Equatorial Ascendant opposition (8°39' applying)
↣ Pluto and Ascendant antiparallel
↣ Pluto and Midheaven square (4°05' applying)
↣ North Node and Ascendant opposition (6°43' applying) antiparallel
Birth data
- Original name
- Timothy Earle Thomas
- Chart date
- 13/11/1944
- Chart time
- 12:35
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Evansville (IN), USA - Latitude and longitude
- 37°58' North · 87°33' West
- Time zone
- 05:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Timmy Thomas was an American R&B singer, keyboardist, songwriter and producer whose career flourished between the 1960s and the 1990s. Initially known as a supporting instrumentalist for names such as Donald Byrd and Cannonball Adderley, he worked as a studio musician in Memphis before establishing himself as a solo artist. His work includes releases on labels such as Goldwax, Climax, Glades and TK Records.
The high point of his career came in 1972 with the single “Why Can’t We Live Together,” which topped the R&B chart and reached number three on the Billboard Hot 100, selling millions of copies and bringing him international recognition. Throughout the 1970s he released albums and several singles that circulated on the R&B charts, demonstrating consistency beyond the label of “one-hit wonder.”
In addition to his solo career, Thomas worked extensively as a session musician and producer, collaborating with artists such as Gwen McCrae and later contributing to projects in the 1990s for labels like LaFace. His musical legacy is marked by the combination of social messaging in songs such as his biggest hit and continued activity on the soul and R&B circuits into the 1980s and 1990s.
