Birth Chart

Wendy Welch

Wendelle Elizabeth Armistead

Sun Gemini
Moon Aries
Ascendant Sagittarius
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DeclinationLongitudeDigfg22°N58'M18°C35' 2''7N41'N16°A59' 2''415°N35'O25°B6'612°N41'PB42'Domi.5N44'Q29°F21'910S52'RL59'Domi.3N32'S13°F8'923°N39'TD10'7S16'U14°G39'Ç1023°N43'V16°E11'88/9N50'YA38'Ç4N00'È12°G20'1022°S28'W13°I56'11N13'X29°F28'1010N00'l29°I33'Houses Placidus - Prop. orb - LST 11:58:02W13°I56'216°J51'323°K56'X29°F28'1128°G55'1222°H50'
Á7Ë8Ô4Ê1Å4É4Ă12H95C60W40D95+119
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Influences in signs

↣   Sun in Gemini - 18°35' - in house 7

↣   Moon in Aries - 16°59' - in house 4

↣   Mercury in Taurus - 25°06' - in house 6

↣   Venus in Taurus - 09°42' - in house 5

↣   Mars in Virgo - 29°21' - in house 10

↣   Jupiter in Pisces - 06°59' - in house 3

↣   Saturn in Virgo - 13°08' - in house 9

↣   Uranus in Cancer - 04°10' - in house 7

↣   Neptune in Libra - 14°39' - in house 10 - retrograde

↣   Pluto in Leo - 16°11' - in house 8/9

↣   North Node in Aries - 04°38' - in house 4 - retrograde

↣   Ascendant in Sagittarius - 13°56' - in house 1

↣   Midheaven in Virgo - 29°28' - in house 10

↣   Equatorial Ascendant in Sagittarius - 29°33'

Influences in houses

↣   Sun in house 7

↣   Moon in house 4

↣   Mercury in house 6

↣   Venus in house 5

↣   Mars in house 10

↣   Jupiter in house 3

↣   Saturn in house 9

↣   Uranus in house 7

↣   Neptune in house 10

↣   Pluto in house 8/9

↣   North Node in house 4

↣   Ascendant in house 1

↣   Midheaven in house 10

Aspects

↣   Sun and Moon sextile (1°36' applying)

↣   Sun and Saturn square (5°26' separating)

↣   Sun and Uranus parallel

↣   Sun and Neptune trine (3°56' separating)

↣   Sun and Pluto sextile (2°24' separating) parallel

↣   Sun and Equatorial Ascendant opposition (10°58' separating)

↣   Sun and Ascendant opposition (4°39' applying) antiparallel

↣   Moon and Saturn parallel

↣   Moon and Neptune opposition (2°20' separating)

↣   Moon and Pluto trine (0°48' separating)

↣   Moon and Ascendant trine (3°03' applying)

↣   Mercury and Mars trine (4°15' applying)

↣   Mercury and Midheaven trine (4°22' separating)

↣   Venus and Jupiter sextile (2°43' separating)

↣   Venus and Saturn trine (3°26' applying)

↣   Venus and Uranus sextile (5°33' separating)

↣   Mars and Uranus square (4°49' applying)

↣   Mars and North Node opposition (5°18' applying)

↣   Mars and Equatorial Ascendant square (0°12' separating) parallel

↣   Mars and Midheaven conjunction (0°07' separating) parallel

↣   Jupiter and Saturn opposition (6°09' applying)

↣   Jupiter and Uranus trine (2°50' applying)

↣   Saturn and Ascendant square (0°47' separating)

↣   Uranus and Pluto parallel

↣   Uranus and North Node square (0°29' applying)

↣   Uranus and Equatorial Ascendant opposition (4°36' applying)

↣   Uranus and Midheaven square (4°41' applying)

↣   Neptune and Pluto sextile (1°32' separating)

↣   Neptune and Ascendant sextile (0°43' applying)

↣   Pluto and Ascendant trine (2°15' applying)

↣   North Node and Equatorial Ascendant square (5°05' applying)

↣   North Node and Midheaven opposition (5°10' applying)

Birth data

Original name
Wendelle Elizabeth Armistead
Chart date
09/06/1950
Chart time
18:47
Date and time quality
A News report what does this mean?
Data origin
Astro-Databank
Location
Memphis (TN), USA
Latitude and longitude
35°09' North · 90°03' West
Time zone
06:00 West

The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.

Wendy Welch
Photo: Reproduction

About

Wendy Welch — born Wendelle Elizabeth Armistead — appears in the records as a pianist and as the life and business partner of the musical figure mentioned in the context. The description indicates she was involved in managing and administering the artist’s career, taking a central role in promoting and organizing his professional activities.

Her role combined musical practice with behind-the-scenes work: in addition to playing piano, she acted as a manager, handling business and interpersonal matters that influenced artistic decisions and tours. This dual function suggests she was recognized within the musician’s close circle and bore responsibility for engagements, logistics, and public image.

In the historical overview presented, her prominence stems more from her intimate and professional relationship with the musician than from a separately documented public career. The record portrays her legacy as that of an essential support figure in the artist’s career, involved both in his daily life and in career strategy.

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