Birth Chart
Alice Guy-Blaché
Alice Ida Antoinette Guy
Sun Cancer
Moon Virgo
Ascendant Scorpio
Influences in signs
↣ Sun in Cancer - 09°48' - in house 8
↣ Moon in Virgo - 25°33' - in house 10
↣ Mercury in Leo - 01°49' - in house 9
↣ Venus in Taurus - 24°55' - in house 7
↣ Mars in Scorpio - 01°37' - in house 12
↣ Jupiter in Leo - 28°55' - in house 9
↣ Saturn in Aquarius - 00°52' - in house 3 - retrograde
↣ Uranus in Leo - 04°31' - in house 9
↣ Neptune in Aries - 28°19' - in house 5/6
↣ Pluto in Taurus - 21°20' - in house 7
↣ North Node in Taurus - 22°57' - in house 7 - retrograde
↣ Ascendant in Scorpio - 23°17' - in house 1
↣ Midheaven in Virgo - 12°08' - in house 10
↣ Equatorial Ascendant in Sagittarius - 14°50'
Influences in houses
↣ Sun in house 8
↣ Moon in house 10
↣ Mercury in house 9
↣ Venus in house 7
↣ Mars in house 12
↣ Jupiter in house 9
↣ Saturn in house 3
↣ Uranus in house 9
↣ Neptune in house 5/6
↣ Pluto in house 7
↣ North Node in house 7
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Midheaven sextile (2°20' separating)
↣ Moon and Venus trine (0°38' separating)
↣ Moon and Saturn trine (5°19' applying)
↣ Moon and Pluto trine (4°13' separating)
↣ Moon and North Node trine (2°36' separating)
↣ Moon and Ascendant sextile (2°16' applying)
↣ Moon and Midheaven parallel
↣ Mercury and Mars square (0°12' separating)
↣ Mercury and Saturn opposition (0°56' separating) antiparallel
↣ Mercury and Uranus conjunction (2°43' applying)
↣ Mercury and Neptune square (3°29' separating)
↣ Venus and Jupiter square (3°59' applying)
↣ Venus and Saturn trine (5°57' applying)
↣ Venus and Pluto conjunction (3°35' separating)
↣ Venus and North Node conjunction (1°58' separating)
↣ Venus and Ascendant opposition (1°38' applying)
↣ Mars and Jupiter sextile (2°42' separating) antiparallel
↣ Mars and Saturn square (0°44' separating)
↣ Mars and Uranus square (2°55' applying)
↣ Mars and Neptune opposition (3°17' separating)
↣ Jupiter and Neptune trine (0°35' separating)
↣ Jupiter and North Node square (5°58' separating)
↣ Jupiter and Ascendant square (5°38' applying)
↣ Saturn and Uranus opposition (3°39' separating) antiparallel
↣ Saturn and Neptune square (2°33' applying)
↣ Pluto and North Node conjunction (1°37' applying)
↣ Pluto and Ascendant opposition (1°56' separating)
↣ North Node and Ascendant opposition (0°20' separating) antiparallel
Birth data
- Original name
- Alice Ida Antoinette Guy
- Chart date
- 01/07/1873
- Chart time
- 16:15
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Gare, France - Latitude and longitude
- 48°50' North · 2°25' East
- Time zone
- 00:10 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Alice Guy-Blaché was a Franco-American filmmaker and a pioneer in the history of cinema, acknowledged as one of the first directors and screenwriters of fiction. She worked from the late nineteenth century at Gaumont, where she devised La Fée aux choux (probably 1896), considered among the earliest filmed narratives, and led the studio’s production between 1896 and 1906.
Over two decades she directed hundreds—possibly more than a thousand—shorts and features, exploring technical innovations such as the chronophone for sound synchronization, colorization, double-exposure effects and camera tricks. She also produced large-scale spectacles like The Life of Christ (1906), with hundreds of extras, showing a then-unprecedented ambition of scale.
In 1910 she founded the Solax Company in the United States, where she was one of the first—if not the first—women to run a commercial studio, producing and directing prolific series of films and helping to build the exhibition network before Hollywood’s dominance. Her production and directing work declined after financial difficulties, a divorce and the migration of the industry to the West Coast.
Her legacy lies in demonstrating the central role of women in the origins of cinema and in the technical and narrative influence that inspired later generations of filmmakers. Although she stopped directing after 1920, her work and pioneering role received growing historical recognition over the twentieth century.
