Birth Chart
Camille Pissarro
Sun Cancer
Moon Pisces
When the birth time is unknown, the chart is calculated for 12:00 noon without using the astrological houses system. Are the planets in the wrong houses?
Influences in signs
↣ Sun in Cancer - 17°49'
↣ Moon in Pisces - 15°26'
↣ Mercury in Gemini - 27°04'
↣ Venus in Gemini - 08°29'
↣ Mars in Pisces - 22°53'
↣ Jupiter in Capricorn - 12°13' - retrograde
↣ Saturn in Leo - 17°16'
↣ Uranus in Aquarius - 09°19' - retrograde
↣ Neptune in Capricorn - 21°30' - retrograde
↣ Pluto in Aries - 09°38' - retrograde
↣ North Node in Virgo - 11°32'
Aspects
↣ Sun and Moon trine (2°23' applying)
↣ Sun and Mercury parallel
↣ Sun and Mars trine (5°04' applying)
↣ Sun and Jupiter opposition (5°36' separating) antiparallel
↣ Sun and Neptune opposition (3°41' applying) antiparallel
↣ Moon and Mars conjunction (7°27' applying) parallel
↣ Moon and Jupiter sextile (3°13' separating)
↣ Moon and North Node opposition (3°54' separating) antiparallel
↣ Mercury and Mars square (4°10' separating)
↣ Mercury and Neptune antiparallel
↣ Venus and Uranus trine (0°50' applying)
↣ Venus and Pluto sextile (1°08' applying)
↣ Venus and North Node square (3°03' applying)
↣ Mars and Neptune sextile (1°23' separating)
↣ Mars and North Node antiparallel
↣ Jupiter and Pluto square (2°35' applying)
↣ Jupiter and North Node trine (0°41' applying)
↣ Saturn and Uranus opposition (7°57' separating)
↣ Uranus and Pluto sextile (0°18' separating)
Birth data
- Chart date
- 10/07/1830
- Chart time
- No time
- Date and time quality
- XX Time not informed what does this mean?
- Data origin
- Astro-Databank
- Location
-
Charlotte Amalie, Virgin Islands - Latitude and longitude
- 18°21' North · 64°56' West
- Time zone
- 04:20 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Camille Pissarro was a painter of Danish-French origin, a central figure of Impressionism who was also associated with Neo-Impressionism. Born in São Tomé, his career included training with masters such as Gustave Courbet and Jean-Baptiste-Camille Corot and artistic interaction with figures like Georges Seurat and Paul Signac, from whom he absorbed influences when he adopted neo-Impressionist techniques in his maturity.
Throughout his career, Pissarro became known for defending plein air painting and for depicting rural scenes and the life of the “common man” without artifice, a stance that earned him the recognition of contemporaries such as Cézanne, Gauguin, and Renoir. He was the only artist to exhibit in all eight of the Paris Impressionist shows (1874–1886) and played a leadership and mediating role within the group, often regarded by his colleagues as a fatherly and stabilizing figure.
His artistic legacy lies both in his pictorial output—landscapes and everyday scenes marked by sensitivity to light and color—and in his influence on the post‑Impressionist generation, having helped shift French painting from academic practices toward more experimental approaches.
