Birth Chart
Carole Lombard
Jane Alice Peters
Sun Libra
Moon Pisces
Ascendant Gemini
Influences in signs
↣ Sun in Libra - 13°23' - in house 6
↣ Moon in Pisces - 04°08' - in house 11
↣ Mercury in Scorpio - 08°40' - in house 6
↣ Venus in Leo - 28°41' - in house 4
↣ Mars in Virgo - 27°57' - in house 5
↣ Jupiter in Virgo - 05°01' - in house 5
↣ Saturn in Aries - 06°13' - in house 11/12 - retrograde
↣ Uranus in Capricorn - 13°01' - in house 8/9
↣ Neptune in Cancer - 17°04' - in house 3
↣ Pluto in Gemini - 25°50' - in house 2 - retrograde
↣ North Node in Gemini - 29°17' - in house 2 - retrograde
↣ Ascendant in Gemini - 04°14' - in house 1
↣ Midheaven in Aquarius - 10°13' - in house 10
↣ Equatorial Ascendant in Taurus - 15°08'
Influences in houses
↣ Sun in house 6
↣ Moon in house 11
↣ Mercury in house 6
↣ Venus in house 4
↣ Mars in house 5
↣ Jupiter in house 5
↣ Saturn in house 11/12
↣ Uranus in house 8/9
↣ Neptune in house 3
↣ Pluto in house 2
↣ North Node in house 2
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Saturn opposition (7°10' separating)
↣ Sun and Uranus square (0°21' separating)
↣ Sun and Neptune square (3°41' applying)
↣ Sun and Midheaven trine (3°10' applying)
↣ Moon and Mercury trine (4°32' applying)
↣ Moon and Venus opposition (5°27' separating)
↣ Moon and Jupiter opposition (0°53' applying)
↣ Moon and North Node trine (4°50' separating)
↣ Moon and Ascendant square (0°07' separating)
↣ Mercury and Jupiter sextile (3°40' separating)
↣ Mercury and Uranus sextile (4°21' applying)
↣ Mercury and Equatorial Ascendant opposition (6°28' separating)
↣ Mercury and Midheaven square (1°33' separating) parallel
↣ Venus and Jupiter conjunction (6°19' applying)
↣ Venus and Pluto sextile (2°52' separating)
↣ Venus and North Node sextile (0°36' applying)
↣ Venus and Ascendant square (5°33' separating)
↣ Mars and Saturn opposition (8°16' applying)
↣ Mars and Pluto square (2°08' separating)
↣ Mars and North Node square (1°20' applying)
↣ Mars and Ascendant trine (6°17' separating)
↣ Jupiter and North Node sextile (5°43' separating)
↣ Jupiter and Ascendant square (0°46' applying)
↣ Saturn and Equatorial Ascendant parallel
↣ Saturn and Ascendant sextile (1°58' applying)
↣ Saturn and Midheaven sextile (4°00' separating)
↣ Uranus and Neptune opposition (4°02' applying)
↣ Uranus and North Node antiparallel
↣ Uranus and Equatorial Ascendant trine (2°06' separating)
↣ Neptune and Equatorial Ascendant sextile (1°56' applying)
↣ Neptune and Ascendant parallel
↣ Pluto and North Node conjunction (3°28' applying)
Birth data
- Original name
- Jane Alice Peters
- Chart date
- 06/10/1908
- Chart time
- 19:30
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Fort Wayne (IN), USA - Latitude and longitude
- 41°08' North · 85°08' West
- Time zone
- 06:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Carole Lombard was an American actress whose career was established in the screwball comedies of the 1930s. Discovered as a child in silent films, she overcame an accident that left her with a facial scar and rebuilt her career by working in Mack Sennett comedies and, later, in sound features. Her artistic hallmarks were comic timing and irreverent energy, qualities that made her sought after by Paramount.
Her major breakthrough came with Twentieth Century (1934), directed by Howard Hawks, which launched her as a leading player in sophisticated comedies. She then built popular partnerships—most notably with Fred MacMurray—and delivered memorable performances in films such as My Man Godfrey (1936), which earned her an Academy Award nomination, and Nothing Sacred (1937).
Married to Clark Gable, Lombard became a prominent public figure. In her final years she sought more serious roles without abandoning comedy entirely; her last films include Mr. & Mrs. Smith (1941) and To Be or Not to Be (1942). She died prematurely in 1942 in a plane crash while taking part in war bond promotion activities, leaving a legacy as one of the defining voices of classic American comedy.
