Birth Chart
Charles Gounod
Charles-François Gounod
Sun Gemini
Moon Sagittarius
Ascendant Gemini
Influences in signs
↣ Sun in Gemini - 25°17' - in house 1
↣ Moon in Sagittarius - 04°07' - in house 6
↣ Mercury in Gemini - 02°41' - in house 12
↣ Venus in Cancer - 20°07' - in house 2
↣ Mars in Leo - 15°31' - in house 4
↣ Jupiter in Capricorn - 09°46' - in house 7/8 - retrograde
↣ Saturn in Pisces - 18°06' - in house 11
↣ Uranus in Sagittarius - 17°52' - in house 7 - retrograde
↣ Neptune in Sagittarius - 25°07' - in house 7 - retrograde
↣ Pluto in Pisces - 26°27' - in house 11
↣ North Node in Taurus - 07°54' - in house 12 - retrograde
↣ Ascendant in Gemini - 24°55' - in house 1
↣ Midheaven in Aquarius - 22°26' - in house 10
↣ Equatorial Ascendant in Taurus - 27°06'
Influences in houses
↣ Sun in house 1
↣ Moon in house 6
↣ Mercury in house 12
↣ Venus in house 2
↣ Mars in house 4
↣ Jupiter in house 7/8
↣ Saturn in house 11
↣ Uranus in house 7
↣ Neptune in house 7
↣ Pluto in house 11
↣ North Node in house 12
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon antiparallel
↣ Sun and Venus parallel
↣ Sun and Jupiter antiparallel
↣ Sun and Uranus opposition (7°25' separating) antiparallel
↣ Sun and Neptune opposition (0°10' separating) antiparallel
↣ Sun and Pluto square (1°09' applying)
↣ Sun and Ascendant conjunction (0°23' applying) parallel
↣ Sun and Midheaven trine (2°51' applying)
↣ Moon and Mercury opposition (1°25' separating)
↣ Moon and Venus antiparallel
↣ Moon and Jupiter parallel
↣ Moon and Uranus parallel
↣ Moon and Neptune parallel
↣ Moon and Equatorial Ascendant opposition (7°01' applying)
↣ Moon and Ascendant antiparallel
↣ Mercury and Mars parallel
↣ Mercury and Equatorial Ascendant conjunction (5°35' applying)
↣ Venus and Jupiter antiparallel
↣ Venus and Saturn trine (2°01' separating)
↣ Venus and Uranus antiparallel
↣ Venus and Ascendant parallel
↣ Mars and Uranus trine (2°22' applying)
↣ Mars and Midheaven opposition (6°56' separating)
↣ Jupiter and Uranus parallel
↣ Jupiter and Neptune parallel
↣ Jupiter and North Node trine (1°52' applying)
↣ Jupiter and Ascendant antiparallel
↣ Saturn and Uranus square (0°14' separating)
↣ Saturn and Pluto conjunction (8°21' applying)
↣ Uranus and Neptune conjunction (7°15' separating) parallel
↣ Uranus and Ascendant opposition (7°02' separating) antiparallel
↣ Uranus and Midheaven sextile (4°34' separating)
↣ Neptune and Pluto square (1°20' separating)
↣ Neptune and Ascendant opposition (0°12' applying)
↣ Neptune and Midheaven sextile (2°40' applying)
↣ Pluto and Equatorial Ascendant sextile (0°39' separating)
↣ Pluto and Ascendant square (1°32' applying)
↣ North Node and Midheaven antiparallel
Birth data
- Original name
- Charles-François Gounod
- Chart date
- 17/06/1818
- Chart time
- 04:00
- Date and time quality
- AA Birth record cited what does this mean?
- Data origin
- Astro-Databank
- Location
-
Paris, France - Latitude and longitude
- 48°52' North · 2°20' East
- Time zone
- 00:09 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Charles Gounod was a French composer whose name became associated with both the operatic repertoire and 19th-century sacred music. Trained at the Paris Conservatory and winner of the Prix de Rome in 1839, he deepened his study of Renaissance polyphony in Rome, especially of Palestrina—an influence that left a mark on his liturgical and oratorio output.
On the stage, Gounod established himself with operas that remained in the European repertoire: Faust (1859), Mireille (1864) and Roméo et Juliette (1867) are central works that reveal his melodic sensibility and the integration of vocal drama with orchestral expression. He also wrote comic and musical theatre pieces, as well as a Petite symphonie for winds and chamber works.
In the religious sphere, he composed masses, oratorios such as Mors et Vita and the famous Ave Maria arrangement based on a theme by Bach; he is also the author of the melody used for a hymn adopted by the Vatican. Temporarily exiled to England during the Franco–Prussian War, he won a wide audience in the Victorian era. His legacy remains in the trio of opera–choral music–sacred repertoire, preserved in concert halls and churches.
