Birth Chart
Eduard Bendemann
Eduard Julius Friedrich Bendemann
Sun Sagittarius
Moon Cancer
Ascendant Aries
Influences in signs
↣ Sun in Sagittarius - 10°32' - in house 8
↣ Moon in Cancer - 21°45' - in house 4
↣ Mercury in Sagittarius - 18°34' - in house 8/9
↣ Venus in Sagittarius - 23°34' - in house 9
↣ Mars in Aquarius - 18°05' - in house 11
↣ Jupiter in Cancer - 03°50' - in house 3 - retrograde
↣ Saturn in Sagittarius - 26°55' - in house 9
↣ Uranus in Scorpio - 20°28' - in house 7
↣ Neptune in Sagittarius - 10°55' - in house 8
↣ Pluto in Pisces - 16°09' - in house 12
↣ North Node in Virgo - 12°41' - in house 6 - retrograde
↣ Ascendant in Aries - 27°34' - in house 1
↣ Midheaven in Capricorn - 10°32' - in house 10
↣ Equatorial Ascendant in Aries - 12°28'
Influences in houses
↣ Sun in house 8
↣ Moon in house 4
↣ Mercury in house 8/9
↣ Venus in house 9
↣ Mars in house 11
↣ Jupiter in house 3
↣ Saturn in house 9
↣ Uranus in house 7
↣ Neptune in house 8
↣ Pluto in house 12
↣ North Node in house 6
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Mercury conjunction (8°02' separating)
↣ Sun and Jupiter antiparallel
↣ Sun and Saturn parallel
↣ Sun and Neptune conjunction (0°23' applying) parallel
↣ Sun and Pluto square (5°37' applying)
↣ Sun and North Node square (2°09' applying)
↣ Sun and Equatorial Ascendant trine (1°56' separating)
↣ Sun and Midheaven parallel
↣ Moon and Mars antiparallel
↣ Moon and Uranus trine (1°18' separating) antiparallel
↣ Moon and Pluto trine (5°36' separating) antiparallel
↣ Moon and Ascendant square (5°49' separating)
↣ Moon and Midheaven opposition (11°13' applying)
↣ Mercury and Venus conjunction (5°00' applying) parallel
↣ Mercury and Mars sextile (0°30' separating)
↣ Mercury and Saturn conjunction (8°21' applying)
↣ Mercury and Neptune conjunction (7°39' separating)
↣ Mercury and Pluto square (2°25' separating)
↣ Mercury and North Node square (5°53' separating)
↣ Mercury and Equatorial Ascendant trine (6°06' applying)
↣ Venus and Mars sextile (5°30' separating)
↣ Venus and Jupiter antiparallel
↣ Venus and Saturn conjunction (3°21' applying)
↣ Venus and Ascendant trine (4°00' separating)
↣ Venus and Midheaven parallel
↣ Mars and Uranus square (2°23' applying) parallel
↣ Mars and Equatorial Ascendant sextile (5°37' applying)
↣ Jupiter and Saturn opposition (6°55' applying) antiparallel
↣ Jupiter and Midheaven opposition (6°43' separating) antiparallel
↣ Saturn and Ascendant trine (0°39' separating)
↣ Saturn and Midheaven parallel
↣ Uranus and Pluto trine (4°19' separating)
↣ Neptune and Pluto square (5°14' applying)
↣ Neptune and North Node square (1°46' applying)
↣ Neptune and Equatorial Ascendant trine (1°33' separating)
↣ Pluto and North Node opposition (3°28' separating)
↣ Pluto and Midheaven sextile (5°37' applying)
↣ North Node and Midheaven trine (2°09' applying)
Birth data
- Original name
- Eduard Julius Friedrich Bendemann
- Chart date
- 03/12/1811
- Chart time
- 14:00
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Berlin, Germany - Latitude and longitude
- 52°29' North · 13°21' East
- Time zone
- 00:53 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Eduard Julius Friedrich Bendemann was a German painter of Jewish origin whose work in the 19th century combined historical, religious, and allegorical subjects. He became known for large-format compositions such as Die trauernden Juden im Exil (1832) and the panel Jeremias auf den Trümmern von Jerusalem (1837), which earned him recognition in German exhibitions and museums. His painting The Harvest ranks among his most widely circulated works.
Bendemann pursued a career as a teacher and decorator: he was a professor at the Dresden Academy of Fine Arts from 1838 and later served as director of the Düsseldorf Academy (1859–1867). He received monumental commissions, including fresco decorations for the halls of the royal palace in Dresden—projects that occupied him for years and reveal his preference for historical narratives and sculptural figures.
Outside his pictorial output, his life unfolded within a family tied to the arts—he married Lida Schadow, daughter of the sculptor Johann Gottfried Schadow—and he founded a line that included artists and military officers. His works remain in German museums and were the subject of posthumous exhibitions that reaffirmed his place in the German historical Romantic canon.
