Birth Chart
Edward Hopper
Sun Cancer
Moon Libra
When the birth time is unknown, the chart is calculated for 12:00 noon without using the astrological houses system. Are the planets in the wrong houses?
Influences in signs
↣ Sun in Cancer - 29°43'
↣ Moon in Libra - 21°39'
↣ Mercury in Cancer - 09°53'
↣ Venus in Virgo - 07°21'
↣ Mars in Virgo - 13°14'
↣ Jupiter in Gemini - 20°43'
↣ Saturn in Taurus - 24°16'
↣ Uranus in Virgo - 16°00'
↣ Neptune in Taurus - 18°35'
↣ Pluto in Gemini - 00°01'
↣ North Node in Scorpio - 27°32' - retrograde
Aspects
↣ Sun and Mercury parallel
↣ Sun and Saturn sextile (5°27' separating)
↣ Sun and Pluto sextile (0°18' applying)
↣ Sun and North Node trine (2°11' separating) antiparallel
↣ Moon and Venus antiparallel
↣ Moon and Jupiter trine (0°56' separating)
↣ Mercury and Venus sextile (2°33' applying)
↣ Mercury and Mars sextile (3°20' applying)
↣ Venus and Mars conjunction (5°53' applying)
↣ Venus and Uranus conjunction (8°39' applying)
↣ Mars and Uranus conjunction (2°46' applying)
↣ Mars and Neptune trine (5°21' applying)
↣ Mars and Pluto parallel
↣ Jupiter and Uranus square (4°43' separating)
↣ Saturn and Neptune conjunction (5°41' separating)
↣ Saturn and Pluto conjunction (5°45' applying)
↣ Saturn and North Node opposition (3°15' applying)
↣ Uranus and Neptune trine (2°35' applying)
↣ Pluto and North Node opposition (2°29' separating)
Birth data
- Chart date
- 22/07/1882
- Chart time
- No time
- Date and time quality
- XX Time not informed what does this mean?
- Data origin
- Astro-Databank
- Location
-
Tarrytown (NY), USA - Latitude and longitude
- 41°05' North · 73°55' West
- Time zone
- 04:56 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Edward Hopper was an American painter, printmaker, and illustrator associated with an introspective realism that translated the loneliness of modern life into recurring compositions—both urban and rural. Trained in the arts in New York, he traveled to Europe seeking references but kept his distance from the most experimental trends, forging a personal language marked by broad forms, restrained lines, and theatrical lighting that heightens the silence of his scenes.
His mature painting emerged in the 1920s and won wide recognition with works such as House by the Railroad and, above all, Nighthawks (1942), images that have remained in the visual culture for their ability to turn everyday settings—cafés, stations, gas stations, and rooms—into symbols of human isolation. Hopper frequently used anonymous figures who do not communicate, reinforcing the sense of desolation and emotional distance.
Critics link his work to a psychological sensitivity and to conversations with the philosophical and psychoanalytic currents of his time, as well as to formal affinities with the Ashcan School in its depiction of urban life. Major exhibitions and placements in leading American museums secured his legacy: Hopper left a lasting mark on art and the cultural imagination, influencing contemporary film, music, and illustration.
