Birth Chart
George McFarland
George Robert Phillips McFarland
Sun Libra
Moon Taurus
Ascendant Capricorn
Influences in signs
↣ Sun in Libra - 09°23' - in house 9
↣ Moon in Taurus - 24°45' - in house 4
↣ Mercury in Scorpio - 04°55' - in house 10
↣ Venus in Scorpio - 04°22' - in house 9
↣ Mars in Gemini - 29°53' - in house 6
↣ Jupiter in Taurus - 08°37' - in house 4 - retrograde
↣ Saturn in Sagittarius - 14°13' - in house 11
↣ Uranus in Aries - 05°15' - in house 2/3 - retrograde
↣ Neptune in Virgo - 00°22' - in house 8
↣ Pluto in Cancer - 18°20' - in house 7
↣ North Node in Gemini - 01°41' - in house 4/5 - retrograde
↣ Ascendant in Capricorn - 25°42' - in house 1
↣ Midheaven in Scorpio - 14°28' - in house 10
↣ Equatorial Ascendant in Aquarius - 09°34'
Influences in houses
↣ Sun in house 9
↣ Moon in house 4
↣ Mercury in house 10
↣ Venus in house 9
↣ Mars in house 6
↣ Jupiter in house 4
↣ Saturn in house 11
↣ Uranus in house 2/3
↣ Neptune in house 8
↣ Pluto in house 7
↣ North Node in house 4/5
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Saturn sextile (4°50' applying)
↣ Sun and Uranus opposition (4°08' separating)
↣ Sun and Equatorial Ascendant trine (0°11' separating)
↣ Moon and Neptune square (5°37' applying)
↣ Moon and North Node conjunction (6°56' applying)
↣ Moon and Ascendant trine (0°57' separating)
↣ Moon and Midheaven opposition (10°17' applying)
↣ Mercury and Venus conjunction (0°33' applying)
↣ Mercury and Mars trine (5°02' separating)
↣ Mercury and Jupiter opposition (3°42' applying)
↣ Mercury and Neptune sextile (4°33' separating)
↣ Mercury and Equatorial Ascendant square (4°39' separating)
↣ Mercury and Midheaven conjunction (9°33' separating) parallel
↣ Venus and Mars trine (4°30' separating)
↣ Venus and Jupiter opposition (4°15' applying) antiparallel
↣ Venus and Neptune sextile (4°00' separating) antiparallel
↣ Venus and Equatorial Ascendant square (5°12' separating)
↣ Venus and Midheaven conjunction (10°06' separating)
↣ Mars and Uranus square (5°22' applying)
↣ Mars and Neptune sextile (0°29' applying)
↣ Jupiter and Equatorial Ascendant square (0°57' separating)
↣ Jupiter and Midheaven opposition (5°51' separating)
↣ Saturn and Pluto antiparallel
↣ Saturn and North Node antiparallel
↣ Saturn and Equatorial Ascendant sextile (4°39' applying)
↣ Saturn and Ascendant parallel
↣ Uranus and North Node sextile (3°34' applying)
↣ Uranus and Equatorial Ascendant sextile (4°19' separating)
↣ Neptune and North Node square (1°19' applying)
↣ Pluto and North Node parallel
↣ Pluto and Ascendant opposition (7°22' separating) antiparallel
↣ Pluto and Midheaven trine (3°52' applying)
↣ North Node and Ascendant trine (5°59' applying) antiparallel
Birth data
- Original name
- George Robert Phillips McFarland
- Chart date
- 02/10/1928
- Chart time
- 14:30
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Dallas (TX), USA - Latitude and longitude
- 32°47' North · 96°48' West
- Time zone
- 06:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
George Robert Phillips McFarland, known by the stage nickname “Spanky,” was an American child actor who rose to prominence as the lead in Hal Roach’s Our Gang shorts, later syndicated on television as The Little Rascals. Between 1932 and 1942 he starred in 95 entries in the series and had the title role in the feature General Spanky (1936), establishing himself as a comic leader of the child troupe alongside peers such as Carl “Alfalfa” Switzer.
Beyond the Hal Roach comedies, McFarland appeared in supporting roles in several 1930s features, including Kentucky Kernels and The Trail of the Lonesome Pine, showing range as a juvenile performer. After leaving Our Gang in adolescence, he faced the strong stigma attached to the kind of role that had made him famous, which hindered his continuation in the film industry.
As an adult he pursued varied careers — he served in the Air Force, worked in retail and sales, and achieved success as a sales executive and national training director at Philco‑Ford. In later decades he devoted himself to public appearances and talks about his childhood experience and organized benefit events, keeping alive the cultural memory of Spanky as an emblematic figure of American child cinema.
