Birth Chart
Gussy Holl
Auguste Marie Christine Holl
Sun Pisces
Moon Gemini
Ascendant Capricorn
Influences in signs
↣ Sun in Pisces - 03°03' - in house 1/2
↣ Moon in Gemini - 26°52' - in house 5
↣ Mercury in Pisces - 19°13' - in house 2
↣ Venus in Capricorn - 27°43' - in house 1
↣ Mars in Libra - 29°29' - in house 9
↣ Jupiter in Sagittarius - 05°04' - in house 10
↣ Saturn in Leo - 00°51' - in house 7 - retrograde
↣ Uranus in Libra - 16°49' - in house 8 - retrograde
↣ Neptune in Taurus - 27°20' - in house 4
↣ Pluto in Gemini - 03°03' - in house 4
↣ North Node in Leo - 09°30' - in house 7
↣ Ascendant in Capricorn - 24°24' - in house 1
↣ Midheaven in Scorpio - 26°22' - in house 10
↣ Equatorial Ascendant in Aquarius - 21°40'
Influences in houses
↣ Sun in house 1/2
↣ Moon in house 5
↣ Mercury in house 2
↣ Venus in house 1
↣ Mars in house 9
↣ Jupiter in house 10
↣ Saturn in house 7
↣ Uranus in house 8
↣ Neptune in house 4
↣ Pluto in house 4
↣ North Node in house 7
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon trine (6°11' applying)
↣ Sun and Mars trine (3°34' separating)
↣ Sun and Jupiter square (2°01' applying)
↣ Sun and Neptune square (5°43' separating)
↣ Sun and Pluto square (0°00' separating)
↣ Sun and Equatorial Ascendant conjunction (11°23' applying)
↣ Sun and Midheaven square (6°41' applying)
↣ Moon and Venus antiparallel
↣ Moon and Mars trine (2°37' applying)
↣ Moon and Jupiter antiparallel
↣ Moon and Saturn parallel
↣ Moon and Equatorial Ascendant trine (5°12' applying)
↣ Moon and Ascendant antiparallel
↣ Moon and Midheaven antiparallel
↣ Mercury and Ascendant sextile (5°11' separating)
↣ Venus and Mars square (1°46' applying)
↣ Venus and Jupiter parallel
↣ Venus and Saturn opposition (3°08' applying) antiparallel
↣ Venus and Neptune trine (0°22' separating)
↣ Venus and Pluto trine (5°20' applying)
↣ Venus and Ascendant conjunction (3°18' applying) parallel
↣ Venus and Midheaven sextile (1°21' applying) parallel
↣ Mars and Saturn square (1°22' applying)
↣ Mars and Pluto antiparallel
↣ Mars and Ascendant square (5°05' applying)
↣ Jupiter and Saturn trine (4°14' separating) antiparallel
↣ Jupiter and Neptune opposition (7°44' separating)
↣ Jupiter and Pluto opposition (2°01' separating)
↣ Jupiter and North Node trine (4°26' applying)
↣ Jupiter and Midheaven conjunction (8°42' applying) parallel
↣ Saturn and Neptune sextile (3°31' applying)
↣ Saturn and Pluto sextile (2°12' separating)
↣ Saturn and Ascendant opposition (6°26' applying) antiparallel
↣ Saturn and Midheaven trine (4°29' applying)
↣ Uranus and Equatorial Ascendant trine (4°52' separating)
↣ Neptune and Pluto conjunction (5°43' applying)
↣ Neptune and North Node parallel
↣ Neptune and Equatorial Ascendant square (5°40' applying)
↣ Neptune and Ascendant trine (2°56' applying)
↣ Neptune and Midheaven opposition (0°58' applying)
↣ Pluto and Midheaven opposition (6°41' applying)
Birth data
- Original name
- Auguste Marie Christine Holl
- Chart date
- 22/02/1888
- Chart time
- 05:30
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Frankfurt am Main, Germany - Latitude and longitude
- 50°07' North · 8°40' East
- Time zone
- 00:35 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Gussy Holl, full name Auguste Marie Christine Holl, was a German actress and singer prominent in Weimar-era cabaret and silent film. She became a central figure on the Berlin scene performing at Schall und Rauch, the cabaret founded by Max Reinhardt, where she combined singing, parody and acting and cultivated a public image of elegance and the so-called “silver witch.”
Her artistic work inspired poets and columnists such as Walter Mehring and Kurt Tucholsky, who praised her versatility and her role as a politically engaged interpreter able to communicate ideas to committed audiences. On stage she was noted for her gift for parody and her ability to shift between humor and social critique.
In silent cinema she had a brief but notable career: she debuted in 1913 and appeared in important films between 1919 and 1921, including productions directed by Richard Oswald and F. W. Murnau; by 2021 only one of her films was known to survive. Her visibility extended internationally, and she was recognized as an impersonator in New York.
She married actors Conrad Veidt and, later, Emil Jannings; she remained connected to the arts until her death in 1966, leaving a legacy primarily as a cabaret star and an influential voice in the performative culture of the Weimar era.
