Birth Chart
Henriette Caillaux
Geneviève Joséphine Henriette (Raynouard)
Sun Sagittarius
Moon Scorpio
Ascendant Scorpio
Influences in signs
↣ Sun in Sagittarius - 12°56' - in house 2
↣ Moon in Scorpio - 01°17' - in house 12
↣ Mercury in Scorpio - 22°50' - in house 1
↣ Venus in Sagittarius - 19°22' - in house 2 - retrograde
↣ Mars in Libra - 19°41' - in house 12
↣ Jupiter in Libra - 24°29' - in house 12
↣ Saturn in Aquarius - 10°00' - in house 3
↣ Uranus in Leo - 15°10' - in house 10 - retrograde
↣ Neptune in Aries - 28°20' - in house 6 - retrograde
↣ Pluto in Taurus - 21°20' - in house 7 - retrograde
↣ North Node in Aries - 25°55' - in house 6 - retrograde
↣ Ascendant in Scorpio - 12°35' - in house 1
↣ Midheaven in Leo - 26°36' - in house 10
↣ Equatorial Ascendant in Sagittarius - 00°58'
Influences in houses
↣ Sun in house 2
↣ Moon in house 12
↣ Mercury in house 1
↣ Venus in house 2
↣ Mars in house 12
↣ Jupiter in house 12
↣ Saturn in house 3
↣ Uranus in house 10
↣ Neptune in house 6
↣ Pluto in house 7
↣ North Node in house 6
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Venus conjunction (6°26' applying) parallel
↣ Sun and Saturn sextile (2°56' separating)
↣ Sun and Uranus trine (2°14' applying)
↣ Sun and Equatorial Ascendant conjunction (11°58' applying)
↣ Moon and Jupiter conjunction (6°48' separating)
↣ Moon and Neptune opposition (2°57' separating)
↣ Moon and North Node opposition (5°22' separating)
↣ Moon and Ascendant conjunction (11°18' separating)
↣ Moon and Midheaven sextile (4°41' applying) antiparallel
↣ Mercury and Uranus antiparallel
↣ Mercury and Pluto opposition (1°31' separating)
↣ Mercury and Equatorial Ascendant conjunction (8°08' separating)
↣ Mercury and Ascendant conjunction (10°15' applying) parallel
↣ Mercury and Midheaven square (3°45' separating)
↣ Venus and Mars sextile (0°19' separating)
↣ Venus and Jupiter sextile (5°07' separating)
↣ Venus and Uranus trine (4°12' applying)
↣ Mars and Jupiter conjunction (4°48' applying)
↣ Mars and Uranus sextile (4°31' separating)
↣ Mars and Neptune opposition (8°39' applying)
↣ Mars and North Node opposition (6°14' applying)
↣ Jupiter and Neptune opposition (3°51' applying) antiparallel
↣ Jupiter and North Node opposition (1°25' applying)
↣ Jupiter and Midheaven sextile (2°06' separating)
↣ Saturn and Uranus opposition (5°10' applying)
↣ Saturn and Ascendant square (2°35' separating)
↣ Uranus and Ascendant square (2°35' applying)
↣ Neptune and North Node conjunction (2°25' applying) parallel
↣ Neptune and Midheaven trine (1°44' applying)
↣ Pluto and Equatorial Ascendant opposition (9°38' separating)
↣ Pluto and Ascendant opposition (8°45' applying)
↣ Pluto and Midheaven square (5°16' separating)
↣ North Node and Midheaven trine (0°41' separating)
Birth data
- Original name
- Geneviève Joséphine Henriette (Raynouard)
- Chart date
- 05/12/1874
- Chart time
- 05:00
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Rueil-Malmaison, France - Latitude and longitude
- 48°53' North · 2°11' East
- Time zone
- 00:09 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Henriette Caillaux was a Parisian socialite best known for her involvement in the murder of editor Gaston Calmette on 16 March 1914. The second wife of influential politician Joseph Caillaux, she belonged to French high society and lived with him in considerable comfort thanks to a substantial marital fortune. Her private life and her husband’s political ties became the focus of intense public scrutiny and moral criticism.
By entering the offices of Le Figaro and shooting Calmette, Henriette turned a private matter into a national scandal that polarized opinion: elements of the left argued that emotional breakdown provoked by the press campaign explained her act, while the right portrayed it as a cold-blooded murder intended to silence a political critic. The trial, held in July 1914, attracted massive attention and featured testimony of great political significance, ending in acquittal on grounds of mitigating circumstances.
Afterward she devoted herself to art studies; in the 1930s she received a diploma from the École du Louvre and published a catalogue of the works of sculptor Jules Dalou. The Caillaux episode remained a cultural and political touchstone, inspiring films, books and works of art that shaped public memory of Belle Époque France.
