Birth Chart
Jean Delannoy
Jean-François Henri Delannoy
Sun Capricorn
Moon Taurus
Ascendant Taurus
Influences in signs
↣ Sun in Capricorn - 20°55' - in house 10
↣ Moon in Taurus - 14°01' - in house 1
↣ Mercury in Capricorn - 19°41' - in house 9
↣ Venus in Aquarius - 20°02' - in house 11
↣ Mars in Aries - 00°56' - in house 12
↣ Jupiter in Leo - 10°50' - in house 4 - retrograde
↣ Saturn in Pisces - 22°41' - in house 12
↣ Uranus in Capricorn - 13°17' - in house 9
↣ Neptune in Cancer - 13°17' - in house 3 - retrograde
↣ Pluto in Gemini - 23°17' - in house 2 - retrograde
↣ North Node in Cancer - 14°16' - in house 3
↣ Ascendant in Taurus - 23°14' - in house 1
↣ Midheaven in Capricorn - 26°11' - in house 10
↣ Equatorial Ascendant in Taurus - 00°17'
Influences in houses
↣ Sun in house 10
↣ Moon in house 1
↣ Mercury in house 9
↣ Venus in house 11
↣ Mars in house 12
↣ Jupiter in house 4
↣ Saturn in house 12
↣ Uranus in house 9
↣ Neptune in house 3
↣ Pluto in house 2
↣ North Node in house 3
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon trine (6°54' applying)
↣ Sun and Mercury conjunction (1°14' applying)
↣ Sun and Saturn sextile (1°46' applying)
↣ Sun and Uranus conjunction (7°38' separating) parallel
↣ Sun and Neptune opposition (7°38' separating) antiparallel
↣ Sun and North Node opposition (6°39' separating) antiparallel
↣ Sun and Ascendant trine (2°19' separating)
↣ Sun and Midheaven conjunction (5°16' separating) parallel
↣ Moon and Mercury trine (5°40' applying)
↣ Moon and Venus square (6°02' applying)
↣ Moon and Jupiter square (3°10' separating)
↣ Moon and Uranus trine (0°43' separating)
↣ Moon and Neptune sextile (0°44' separating)
↣ Moon and North Node sextile (0°16' applying)
↣ Moon and Ascendant conjunction (9°14' separating)
↣ Mercury and Saturn sextile (3°00' applying)
↣ Mercury and Uranus conjunction (6°24' separating) parallel
↣ Mercury and Neptune opposition (6°24' separating)
↣ Mercury and North Node opposition (5°25' separating)
↣ Mercury and Ascendant trine (3°33' separating)
↣ Mercury and Midheaven conjunction (6°30' separating)
↣ Venus and Jupiter opposition (9°12' separating)
↣ Venus and Pluto trine (3°15' applying) antiparallel
↣ Venus and Ascendant square (3°11' separating)
↣ Mars and Saturn conjunction (8°14' separating)
↣ Mars and Equatorial Ascendant parallel
↣ Mars and Midheaven sextile (4°45' applying)
↣ Jupiter and Ascendant parallel
↣ Saturn and Pluto square (0°36' applying)
↣ Saturn and Ascendant sextile (0°33' separating)
↣ Saturn and Midheaven sextile (3°30' separating)
↣ Uranus and Neptune opposition (0°01' separating)
↣ Uranus and North Node opposition (0°59' applying) antiparallel
↣ Neptune and North Node conjunction (1°00' separating) parallel
Birth data
- Original name
- Jean-François Henri Delannoy
- Chart date
- 12/01/1908
- Chart time
- 12:30
- Date and time quality
- AA Birth record in hand what does this mean?
- Data origin
- Astro-Databank
- Location
-
Paris, France - Latitude and longitude
- 48°52' North · 2°20' East
- Time zone
- 00:09 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Jean Delannoy was a French filmmaker whose career spanned from silent cinema to major television productions of the late twentieth century. He began as an actor and film editor in Paris studios before making his directorial debut in 1934; over more than five decades he wrote and directed films that ranged from melodrama to literary drama and period cinema.
His international recognition came with La Symphonie pastorale (1946), which won the Palme d’Or at Cannes, and with adaptations of substantial literary and intellectual weight, such as Les jeux sont faits (script by Jean-Paul Sartre) and La Princesse de Clèves. He also directed popular genre works, including swashbucklers and crime films such as Maigret tend un piège.
From the 1970s he focused on television and on religious and historical projects, culminating in a trilogy devoted to Christian figures (Bernadette; La Passion de Bernadette; Marie de Nazareth). Officially honored with an honorary César and high French decorations, Delannoy left a legacy of classical formalism and a filmography tied to the literary tradition and to French “cinéma de qualité.”
