Birth Chart
Jenny Lind
Johanna Maria Lind
Sun Libra
Moon Libra
Ascendant Taurus
Influences in signs
↣ Sun in Libra - 13°20' - in house 6
↣ Moon in Libra - 06°52' - in house 6
↣ Mercury in Libra - 16°58' - in house 6
↣ Venus in Leo - 27°05' - in house 6
↣ Mars in Scorpio - 09°40' - in house 7
↣ Jupiter in Pisces - 15°10' - in house 12 - retrograde
↣ Saturn in Aries - 09°52' - in house 12 - retrograde
↣ Uranus in Sagittarius - 25°19' - in house 8
↣ Neptune in Sagittarius - 28°19' - in house 8/9
↣ Pluto in Pisces - 27°22' - in house 12 - retrograde
↣ North Node in Pisces - 22°55' - in house 12 - retrograde
↣ Ascendant in Taurus - 20°57' - in house 1
↣ Midheaven in Capricorn - 14°03' - in house 10
↣ Equatorial Ascendant in Aries - 16°34'
Influences in houses
↣ Sun in house 6
↣ Moon in house 6
↣ Mercury in house 6
↣ Venus in house 6
↣ Mars in house 7
↣ Jupiter in house 12
↣ Saturn in house 12
↣ Uranus in house 8
↣ Neptune in house 8/9
↣ Pluto in house 12
↣ North Node in house 12
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon conjunction (6°29' applying) parallel
↣ Sun and Mercury conjunction (3°38' separating) parallel
↣ Sun and Saturn opposition (3°28' separating)
↣ Sun and Equatorial Ascendant opposition (3°13' separating)
↣ Sun and Midheaven square (0°43' separating)
↣ Moon and Mercury conjunction (10°06' applying)
↣ Moon and Saturn opposition (3°01' applying)
↣ Moon and Pluto opposition (9°30' separating)
↣ Moon and North Node parallel
↣ Moon and Equatorial Ascendant opposition (9°42' separating)
↣ Mercury and Saturn opposition (7°06' separating)
↣ Mercury and Equatorial Ascendant opposition (0°24' applying)
↣ Mercury and Midheaven square (2°55' applying)
↣ Venus and Uranus trine (1°46' separating)
↣ Venus and Neptune trine (1°14' applying)
↣ Venus and Ascendant square (6°08' applying)
↣ Mars and Jupiter trine (5°30' applying)
↣ Mars and Midheaven sextile (4°23' separating)
↣ Jupiter and North Node conjunction (7°45' separating)
↣ Jupiter and Ascendant sextile (5°47' separating)
↣ Jupiter and Midheaven sextile (1°07' applying)
↣ Saturn and Equatorial Ascendant conjunction (6°41' separating)
↣ Saturn and Midheaven square (4°10' separating)
↣ Uranus and Neptune conjunction (3°00' applying)
↣ Uranus and Pluto square (2°03' applying)
↣ Uranus and North Node square (2°24' separating)
↣ Uranus and Midheaven parallel
↣ Neptune and Pluto square (0°57' separating)
↣ Neptune and North Node square (5°24' separating)
↣ Neptune and Midheaven parallel
↣ Pluto and North Node conjunction (4°27' separating)
↣ North Node and Ascendant sextile (1°58' applying)
Birth data
- Original name
- Johanna Maria Lind
- Chart date
- 06/10/1820
- Chart time
- 18:00
- Date and time quality
- C Questionable accuracy what does this mean?
- Data origin
- Astro-Databank
- Location
-
Stockholm, Sweden - Latitude and longitude
- 59°20' North · 18°03' East
- Time zone
- 01:12 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Jenny Lind, born Johanna Maria Lind, was a 19th‑century Swedish soprano widely known as the “Swedish Nightingale.” She became a member of the Royal Swedish Academy of Music while still young and achieved international fame for her performances at European opera houses, particularly for the roles of Agathe (Der Freischütz), Amina (La sonnambula) and Alice (Robert le Diable). Her musicality and stage presence attracted admirers such as Felix Mendelssohn, Hector Berlioz and Giacomo Meyerbeer.
After serious vocal problems in her youth, Lind recovered and refined her technique under the celebrated teacher Manuel García, which allowed her to resume a brilliant career. In the mid‑1840s she was acclaimed in Vienna and London, even singing before Queen Victoria.
In 1850 she undertook a concert tour of the United States managed by P. T. Barnum, which established her as a popular phenomenon; she amassed considerable wealth that she largely donated to charitable causes, notably schools in Sweden. She married Otto Goldschmidt, settled in England and later devoted herself to teaching and occasional performances, leaving a legacy of interpretive excellence and musical philanthropy.
