Birth Chart

John Chamberlain

John Angus Chamberlain

Sun Aries
Moon Libra
Ascendant Pisces
Share
ABCDEFGHIJKL1W234j567i8910X1112L05'A23°B24°C17°10'DEF05'G23°H24°I17°10'JKl14°L51'R20°L36'O28°L34'T00°A51'M25°A23'P29°B29'Q29°C36'Y00°D05'V13°D50'U24°E18'È27°E43'N17°G01'S06°I58'
DeclinationLongitudeDigfgN49'M25°A23' 24''Exal.2S14'N17°G1' 57''78S53'O28°L35'Detr.121°N07'P29°B29'Domi.325°N04'Q29°C37'4S40'R20°L37'Domi.119°S27'SI58'Ç9S19'TA52'113°N52'U24°E18'Ç621°N28'V13°D51'523°N27'YD5'Ç4N00'È27°E43'67S17'WL5'1122°S49'X17°I10'1010N00'l14°L51'Houses Placidus - Prop. orb - LST 17:04:12WL5'223°A3'324°B11'X17°I10'11J2'12K37'
Á6Ë2Ô6Ê6Å8É2Ă10H90C15W100D65+128
MMNNNOOOPPPQQQRRRSSSTTTUUUVVVYYYWWXXllÄ8aÂ4aÁ1sÂ5aÓÒÃ3sÂ0sÂ1aÃ1aÀ8sÀ2aÃ2aÄ7aÂ1aÃ5sÒÃ1aÂ5sÀ0aÁ6sÀ6aÃ3aÃ1aÀ10sÃ1sÒÂ6aÁ1sÁ6sÓ
Influences in signs

↣   Sun in Aries - 25°23' - in house 2

↣   Moon in Libra - 17°01' - in house 8

↣   Mercury in Pisces - 28°35' - in house 1

↣   Venus in Taurus - 29°29' - in house 3

↣   Mars in Gemini - 29°37' - in house 4

↣   Jupiter in Pisces - 20°37' - in house 1

↣   Saturn in Sagittarius - 06°58' - in house 9 - retrograde

↣   Uranus in Aries - 00°52' - in house 1

↣   Neptune in Leo - 24°18' - in house 6 - retrograde

↣   Pluto in Cancer - 13°51' - in house 5

↣   North Node in Cancer - 00°05' - in house 4 - retrograde

↣   Ascendant in Pisces - 06°05' - in house 1

↣   Midheaven in Sagittarius - 17°10' - in house 10

↣   Equatorial Ascendant in Pisces - 14°51'

Influences in houses

↣   Sun in house 2

↣   Moon in house 8

↣   Mercury in house 1

↣   Venus in house 3

↣   Mars in house 4

↣   Jupiter in house 1

↣   Saturn in house 9

↣   Uranus in house 1

↣   Neptune in house 6

↣   Pluto in house 5

↣   North Node in house 4

↣   Ascendant in house 1

↣   Midheaven in house 10

Aspects

↣   Sun and Moon opposition (8°22' applying)

↣   Sun and Mars sextile (4°13' applying)

↣   Sun and Neptune trine (1°06' separating)

↣   Sun and North Node sextile (4°42' applying)

↣   Sun and Ascendant antiparallel

↣   Moon and Mercury parallel

↣   Moon and Pluto square (3°10' separating)

↣   Moon and Midheaven sextile (0°09' separating)

↣   Mercury and Venus sextile (0°55' applying)

↣   Mercury and Mars square (1°02' applying)

↣   Mercury and Jupiter conjunction (7°58' separating)

↣   Mercury and Uranus conjunction (2°17' applying)

↣   Mercury and North Node square (1°31' applying)

↣   Venus and Saturn opposition (7°29' applying)

↣   Venus and Uranus sextile (1°22' applying)

↣   Venus and Neptune square (5°12' separating)

↣   Venus and Pluto parallel

↣   Mars and Uranus square (1°15' applying)

↣   Mars and Neptune sextile (5°19' separating)

↣   Mars and North Node conjunction (0°29' applying)

↣   Mars and Ascendant trine (6°29' separating)

↣   Jupiter and Equatorial Ascendant conjunction (5°46' applying)

↣   Jupiter and Midheaven square (3°27' applying)

↣   Saturn and Ascendant square (0°53' applying)

↣   Saturn and Midheaven conjunction (10°12' separating)

↣   Uranus and North Node square (0°46' separating)

↣   Uranus and Equatorial Ascendant parallel

↣   Neptune and North Node sextile (5°48' applying)

↣   Pluto and Equatorial Ascendant trine (1°00' separating)

↣   North Node and Ascendant trine (6°00' separating)

↣   North Node and Midheaven antiparallel

Birth data

Original name
John Angus Chamberlain
Chart date
16/04/1927
Chart time
03:15
Date and time quality
AA Birth record in hand what does this mean?
Data origin
Astro-Databank
Location
Rochester (IN), USA
Latitude and longitude
41°04' North · 86°13' West
Time zone
06:00 West

The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.

John Chamberlain

About

John Angus Chamberlain was an American sculptor whose work became established in the late 1950s through his inventive use of automobile scrap. By bending tubes and crushed sheets into vibrating structures, Chamberlain transformed car wreckage into three-dimensional works that took up concerns of Abstract Expressionism and conversed with the world of Pop Art, without any programmatic intent of social critique: he defended the primacy of formal interest and the material gesture.

Trained and later a teacher at important centers such as Black Mountain College, he was influenced by David Smith and maintained ties with poets and artists of the avant-garde scene. His career gained prominence in the 1960s with shows in New York galleries and institutional exhibitions — among them the Museum of Modern Art and international biennials — establishing him on the global art circuit.

Over the decades Chamberlain also explored urethane foam, plexiglass, automotive spray paint and panoramic photography, expanding the possibilities of form and color in his work. He received awards and retrospectives at prestigious institutions, leaving a legacy of renewing modern sculpture through reuse and material expressiveness.

Read more about John Chamberlain on Wikipedia

Charts like this one