Birth Chart

Manolete

Manuel Rodrigiez Sanchez

Sun Cancer
Moon Sagittarius
Ascendant Taurus
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ABCDEFGHIJKL1W234j567i8910X1112B11°24'C10°DD24°47'E20°F25°H11°24'I10°JJ24°47'K20°L25°R00°C50'Q13°C31'O01°D16'V04°D06'M11°D29'P29°D54'S01°E09'U03°E43'È29°G52'N29°I56'Y10°J45'T23°K13'l28°A45'
DeclinationLongitudeDigfg22°N57'M11°D29' 9''324°S26'N29°I57' 56''8923°N42'OD16'2321°N35'P29°D54'422°N33'Q13°C31'219°N32'RC50'Detr.120°N19'SE10'414°S29'T23°K13'ÇDomi.1119°N08'UE44'418°N51'VD7'323°S01'Y10°J45'9N00'È29°G52'6715°N16'W11°B25'1121°S10'X24°J47'1010N00'l28°A45'Houses Placidus - Prop. orb - LST 19:46:52W11°B25'210°C34'3D1'X24°J47'1120°K23'1225°L23'
Á5Ë4Ô3Ê8Å9É4Ă7H45C45W60D35+812
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Influences in signs

↣   Sun in Cancer - 11°29' - in house 3

↣   Moon in Sagittarius - 29°57' - in house 9

↣   Mercury in Cancer - 01°16' - in house 3

↣   Venus in Cancer - 29°54' - in house 4

↣   Mars in Gemini - 13°31' - in house 2

↣   Jupiter in Gemini - 00°50' - in house 1

↣   Saturn in Leo - 01°10' - in house 4

↣   Uranus in Aquarius - 23°13' - in house 11 - retrograde

↣   Neptune in Leo - 03°44' - in house 4

↣   Pluto in Cancer - 04°07' - in house 3

↣   North Node in Capricorn - 10°45' - in house 9

↣   Ascendant in Taurus - 11°25' - in house 1

↣   Midheaven in Capricorn - 24°47' - in house 10

↣   Equatorial Ascendant in Aries - 28°45'

Influences in houses

↣   Sun in house 3

↣   Moon in house 9

↣   Mercury in house 3

↣   Venus in house 4

↣   Mars in house 2

↣   Jupiter in house 1

↣   Saturn in house 4

↣   Uranus in house 11

↣   Neptune in house 4

↣   Pluto in house 3

↣   North Node in house 9

↣   Ascendant in house 1

↣   Midheaven in house 10

Aspects

↣   Sun and Moon opposition (11°32' applying) antiparallel

↣   Sun and Mercury conjunction (10°13' applying) parallel

↣   Sun and Venus parallel

↣   Sun and Mars parallel

↣   Sun and Pluto conjunction (7°22' separating)

↣   Sun and North Node opposition (0°44' separating) antiparallel

↣   Sun and Ascendant sextile (0°05' applying)

↣   Moon and Mercury opposition (1°19' applying) antiparallel

↣   Moon and Pluto opposition (4°10' applying)

↣   Moon and North Node parallel

↣   Moon and Equatorial Ascendant trine (1°12' applying)

↣   Mercury and Pluto conjunction (2°50' applying)

↣   Mercury and North Node antiparallel

↣   Mercury and Equatorial Ascendant sextile (2°31' applying)

↣   Venus and Mars parallel

↣   Venus and Jupiter sextile (0°57' applying)

↣   Venus and Saturn conjunction (1°16' applying)

↣   Venus and Neptune conjunction (3°50' applying)

↣   Venus and Equatorial Ascendant square (1°09' applying)

↣   Venus and Midheaven opposition (5°07' applying) antiparallel

↣   Mars and North Node antiparallel

↣   Jupiter and Saturn sextile (0°19' applying) parallel

↣   Jupiter and Neptune sextile (2°53' applying) parallel

↣   Jupiter and Pluto parallel

↣   Jupiter and Midheaven trine (6°03' applying)

↣   Saturn and Neptune conjunction (2°34' applying)

↣   Saturn and Equatorial Ascendant square (2°24' applying)

↣   Saturn and Midheaven opposition (6°22' applying) antiparallel

↣   Uranus and Equatorial Ascendant sextile (5°32' separating)

↣   Uranus and Ascendant antiparallel

↣   Neptune and Pluto parallel

↣   Neptune and Equatorial Ascendant square (4°59' applying)

↣   Neptune and Midheaven opposition (8°57' applying)

↣   Pluto and North Node opposition (6°38' applying)

↣   Pluto and Equatorial Ascendant sextile (5°22' applying)

↣   North Node and Ascendant trine (0°40' separating)

Birth data

Original name
Manuel Rodrigiez Sanchez
Chart date
04/07/1917
Chart time
01:20
Date and time quality
AA Birth record in hand what does this mean?
Data origin
Astro-Databank
Location
Córdoba, Spain
Latitude and longitude
37°53' North · 4°46' West
Time zone
00:00

The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.

Manolete
Photo: Reproduction

About

Manolete, the stage name of Manuel Laureano Rodríguez Sánchez, was a Spanish matador whose career in the 1930s and 1940s had a profound impact on bullfighting. Born into a family tradition of bullfighters, he rose quickly: he confirmed his alternativa in Madrid in 1939 and led the rankings in 1943 and 1944. His technique and aesthetics renewed the corrida, emphasizing the muleta faena, the search for the sitio — the geometric position that provokes and controls the bull’s charge — and a restrained, extended rhythm that sought beauty and composure in the human confrontation with the animal.

The manoletina, a pass whose popularization is credited to him, embodies this emphasis on sobriety and elegance. His influence crossed generations of matadors, cited as a model for later figures and as a dividing line between classical traditions and new forms of toreo. At the same time, his legacy drew criticism for monotony and for tendencies said to have altered the treatment of bulls.

Manolete died from wounds suffered in the Linares bullring in August 1947, an episode that enshrined his figure in Spain’s collective memory. Since then his life and death have inspired books, songs and films, cementing him as one of the central personalities of 20th-century bullfighting.

Read more about Manolete on Wikipedia

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