Birth Chart

Marina Abramović

Sun Sagittarius
Moon Aquarius
Ascendant Cancer
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ABCDEFGHIJKL1W234j567i8910X1112D24°09'E12°FG33'H10°I20°J24°09'K12°LA32'B10°C20°S08°E47'V13°E18'U10°G18'È10°G53'R14°H15'P18°H19'O21°H10'M07°I56'Q17°I30'N24°K40'Y11°C45'T20°C15'l02°D59'
DeclinationLongitudeDigfg21°S38'MI57' 3''55/618°S04'N24°K41' 58''815°S35'O21°H10'm517°S22'P18°H19'ÇDetr.523°S30'Q17°I31'5615°S11'R14°H15'518°N31'SE47'Ç11/223°N10'T20°C16'Ç1112S43'U10°G18'423°N18'V13°E19'Ç222°N12'Y11°C45'1111/12N00'È10°G53'421°N17'W24°D10'11N25'XA33'1010N00'lD59'Houses Placidus - Prop. orb - LST 00:13:02W24°D10'212°E37'3F42'XA33'1110°B52'1220°C49'
Á8Ë0XÔ4Ê8Å4É10Ă6H120C15W160D100+128
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Influences in signs

↣   Sun in Sagittarius - 07°57' - in house 5/6

↣   Moon in Aquarius - 24°41' - in house 8

↣   Mercury in Scorpio - 21°10' - in house 5 - retrograde

↣   Venus in Scorpio - 18°19' - in house 5 - retrograde

↣   Mars in Sagittarius - 17°31' - in house 6

↣   Jupiter in Scorpio - 14°15' - in house 5

↣   Saturn in Leo - 08°47' - in house 1/2 - retrograde

↣   Uranus in Gemini - 20°16' - in house 12 - retrograde

↣   Neptune in Libra - 10°18' - in house 4

↣   Pluto in Leo - 13°19' - in house 2 - retrograde

↣   North Node in Gemini - 11°45' - in house 11/12

↣   Ascendant in Cancer - 24°10' - in house 1

↣   Midheaven in Aries - 03°33' - in house 10

↣   Equatorial Ascendant in Cancer - 02°59'

Influences in houses

↣   Sun in house 5/6

↣   Moon in house 8

↣   Mercury in house 5

↣   Venus in house 5

↣   Mars in house 6

↣   Jupiter in house 5

↣   Saturn in house 1/2

↣   Uranus in house 12

↣   Neptune in house 4

↣   Pluto in house 2

↣   North Node in house 11/12

↣   Ascendant in house 1

↣   Midheaven in house 10

Aspects

↣   Sun and Mars conjunction (9°34' applying)

↣   Sun and Saturn trine (0°51' applying)

↣   Sun and Neptune sextile (2°21' applying)

↣   Sun and Pluto trine (5°22' applying)

↣   Sun and North Node opposition (3°48' applying) antiparallel

↣   Sun and Ascendant antiparallel

↣   Sun and Midheaven trine (4°24' applying)

↣   Moon and Mercury square (3°31' separating)

↣   Moon and Venus square (6°22' separating) parallel

↣   Moon and Saturn antiparallel

↣   Moon and Uranus trine (4°26' separating)

↣   Mercury and Venus conjunction (2°51' separating)

↣   Mercury and Jupiter conjunction (6°55' applying) parallel

↣   Mercury and Ascendant trine (2°59' separating)

↣   Venus and Jupiter conjunction (4°04' applying)

↣   Venus and Pluto square (5°00' applying)

↣   Venus and Ascendant trine (5°50' separating)

↣   Mars and Uranus opposition (2°45' applying) antiparallel

↣   Mars and Pluto trine (4°12' separating) antiparallel

↣   Mars and North Node opposition (5°45' separating)

↣   Jupiter and Saturn square (5°27' separating)

↣   Jupiter and Pluto square (0°56' separating)

↣   Saturn and Neptune sextile (1°30' separating)

↣   Saturn and Pluto conjunction (4°31' separating)

↣   Saturn and North Node sextile (2°58' separating)

↣   Saturn and Midheaven trine (5°14' applying)

↣   Uranus and Pluto parallel

↣   Uranus and North Node parallel

↣   Neptune and Pluto sextile (3°01' applying)

↣   Neptune and North Node trine (1°27' applying)

↣   Neptune and Midheaven opposition (6°45' applying)

↣   Pluto and North Node sextile (1°34' applying)

↣   North Node and Ascendant parallel

Birth data

Chart date
30/11/1946
Chart time
19:15
Date and time quality
A Memory what does this mean?
Data origin
Astro-Databank
Location
Belgrade, Serbia
Latitude and longitude
44°50' North · 20°30' East
Time zone
01:00 East

The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.

Marina Abramović
Photo: Reproduction

About

Marina Abramović is a central figure in contemporary performance, known for works that probe the limits of the body, endurance, and the relationship between artist and audience. Active since the 1970s, she developed rigorous methods—often involving pain, risk, and physical surrender—that redefined performative presence and the concept of artistic identity.

Over more than four decades she created solo works and collaborations with Ulay (1976–1988), a partnership that produced emblematic moments such as The Lovers. Her practice includes series like Rhythm and pieces in which she exposed herself voluntarily to the public, turning spectators into essential participants of the work.

In 2007 she founded the Marina Abramović Institute (MAI), devoted to preserving and promoting performance art. The 2010 retrospective at MoMA solidified her international reputation; the piece The Artist Is Present, in which she sat motionless for months, became a touchstone for discussions of presence, time, and gaze.

She has published catalogues and books documenting her career and her ideas about the body and performance, and continues to exert lasting influence on generations of artists and curators working in live art.

Read more about Marina Abramović on Wikipedia

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