Birth Chart
Michael Ann Holly
Michael Ann Ward
Sun Cancer
Moon Cancer
Ascendant Taurus
Influences in signs
↣ Sun in Cancer - 26°24' - in house 4
↣ Moon in Cancer - 14°50' - in house 4
↣ Mercury in Leo - 14°37' - in house 5
↣ Venus in Leo - 02°30' - in house 4
↣ Mars in Virgo - 04°22' - in house 5/6
↣ Jupiter in Leo - 28°38' - in house 5
↣ Saturn in Cancer - 03°42' - in house 3
↣ Uranus in Gemini - 11°38' - in house 2
↣ Neptune in Libra - 01°49' - in house 6
↣ Pluto in Leo - 07°59' - in house 4/5
↣ North Node in Cancer - 27°41' - in house 4 - retrograde
↣ Ascendant in Taurus - 01°28' - in house 1
↣ Midheaven in Capricorn - 17°58' - in house 10
↣ Equatorial Ascendant in Aries - 21°04'
Influences in houses
↣ Sun in house 4
↣ Moon in house 4
↣ Mercury in house 5
↣ Venus in house 4
↣ Mars in house 5/6
↣ Jupiter in house 5
↣ Saturn in house 3
↣ Uranus in house 2
↣ Neptune in house 6
↣ Pluto in house 4/5
↣ North Node in house 4
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Moon conjunction (11°34' applying) parallel
↣ Sun and Venus conjunction (6°06' separating) parallel
↣ Sun and Uranus parallel
↣ Sun and Neptune sextile (5°25' applying)
↣ Sun and North Node conjunction (1°17' applying) parallel
↣ Sun and Equatorial Ascendant square (5°21' applying)
↣ Sun and Ascendant square (5°04' separating)
↣ Sun and Midheaven opposition (8°27' applying) antiparallel
↣ Moon and Venus parallel
↣ Moon and Saturn parallel
↣ Moon and Uranus parallel
↣ Moon and North Node parallel
↣ Moon and Equatorial Ascendant square (6°13' separating)
↣ Moon and Midheaven opposition (3°07' separating) antiparallel
↣ Mercury and Uranus sextile (2°59' separating)
↣ Mercury and Pluto conjunction (6°38' separating)
↣ Mercury and Equatorial Ascendant trine (6°27' separating)
↣ Venus and Neptune sextile (0°41' separating)
↣ Venus and Pluto conjunction (5°29' applying)
↣ Venus and North Node conjunction (4°49' separating) parallel
↣ Venus and Ascendant square (1°02' applying)
↣ Mars and Jupiter conjunction (5°44' separating)
↣ Mars and Saturn sextile (0°39' separating)
↣ Mars and Ascendant trine (2°53' applying)
↣ Jupiter and Saturn sextile (5°05' applying)
↣ Jupiter and Ascendant trine (2°51' separating) parallel
↣ Saturn and Uranus parallel
↣ Saturn and Neptune square (1°53' separating)
↣ Saturn and Ascendant sextile (2°14' applying)
↣ Saturn and Midheaven antiparallel
↣ Uranus and Pluto sextile (3°39' separating)
↣ Uranus and Midheaven antiparallel
↣ Neptune and North Node sextile (4°09' separating)
↣ Neptune and Equatorial Ascendant parallel
↣ North Node and Ascendant square (3°48' separating)
↣ North Node and Midheaven opposition (9°43' applying)
Birth data
- Original name
- Michael Ann Ward
- Chart date
- 19/07/1944
- Chart time
- 01:31
- Date and time quality
- A News report what does this mean?
- Data origin
- Astro-Databank
- Location
-
Alton (IL), USA - Latitude and longitude
- 38°53' North · 90°11' West
- Time zone
- 05:00 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Michael Ann Holly is an American art historian recognized for her contributions to historiography and the theory of art history. Trained in the arts and holding a PhD in art history from Cornell, she spent the early part of her career on scholarly publishing before entering academia, where she combined teaching and research focused on critical reflection about the discipline’s methods and narratives.
Over the course of her career, Holly worked at prominent academic and cultural institutions: she taught in art schools and, for more than a decade, was on the faculty of the University of Rochester, where she co-founded a graduate program in Visual and Cultural Studies. She later served as director of the Research and Academic Program at the Sterling and Francine Clark Art Institute, a position from which she became director emerita upon retirement.
Her publications include books and edited volumes on visual theory, historical imagination, and research methods in the visual arts — among them studies of Erwin Panofsky and collections that gather debates on visual culture and historiographic practice. She has received fellowships and awards from organizations such as the NEH, the Guggenheim Foundation, the Getty, and the Mellon Foundation, reflecting her influence on critical studies of images, research, and teaching in art history.
As a teacher and organizer of academic programs, Holly has left a legacy in the training of generations of art historians and in the establishment of interdisciplinary approaches that connect theory, archives, and curatorial practice.
