Birth Chart
Michel Polnareff
Sun Cancer
Moon Scorpio
Ascendant Aquarius
Influences in signs
↣ Sun in Cancer - 10°48' - in house 6
↣ Moon in Scorpio - 28°29' - in house 10
↣ Mercury in Cancer - 12°26' - in house 6
↣ Venus in Cancer - 12°22' - in house 6
↣ Mars in Leo - 24°23' - in house 7
↣ Jupiter in Leo - 25°30' - in house 7
↣ Saturn in Cancer - 01°38' - in house 5/6
↣ Uranus in Gemini - 10°49' - in house 4/5
↣ Neptune in Libra - 01°35' - in house 8
↣ Pluto in Leo - 07°32' - in house 7
↣ North Node in Cancer - 27°46' - in house 7 - retrograde
↣ Ascendant in Aquarius - 01°20' - in house 1
↣ Midheaven in Scorpio - 26°25' - in house 10
↣ Equatorial Ascendant in Aquarius - 21°43'
Influences in houses
↣ Sun in house 6
↣ Moon in house 10
↣ Mercury in house 6
↣ Venus in house 6
↣ Mars in house 7
↣ Jupiter in house 7
↣ Saturn in house 5/6
↣ Uranus in house 4/5
↣ Neptune in house 8
↣ Pluto in house 7
↣ North Node in house 7
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Mercury conjunction (1°38' separating) parallel
↣ Sun and Venus conjunction (1°34' separating) parallel
↣ Sun and Saturn conjunction (9°10' separating) parallel
↣ Sun and Uranus parallel
↣ Sun and Pluto parallel
↣ Moon and Mars square (4°06' separating) antiparallel
↣ Moon and Jupiter square (2°59' separating)
↣ Moon and Neptune sextile (3°06' applying)
↣ Moon and North Node trine (0°44' separating)
↣ Moon and Equatorial Ascendant square (6°46' applying)
↣ Moon and Ascendant sextile (2°51' separating)
↣ Moon and Midheaven conjunction (2°05' applying)
↣ Mercury and Venus conjunction (0°04' separating) parallel
↣ Mercury and Pluto parallel
↣ Venus and Saturn parallel
↣ Venus and Pluto parallel
↣ Mars and Jupiter conjunction (1°07' applying) parallel
↣ Mars and Equatorial Ascendant opposition (2°39' applying)
↣ Mars and Midheaven square (2°02' separating)
↣ Jupiter and Equatorial Ascendant opposition (3°47' applying)
↣ Jupiter and Midheaven square (0°54' separating)
↣ Saturn and Uranus parallel
↣ Saturn and Neptune square (0°03' separating)
↣ Uranus and Pluto sextile (3°18' separating)
↣ Neptune and Pluto sextile (5°57' separating)
↣ Neptune and North Node sextile (3°49' separating)
↣ Neptune and Equatorial Ascendant parallel
↣ Neptune and Ascendant trine (0°14' applying)
↣ Neptune and Midheaven sextile (5°10' applying)
↣ Pluto and Ascendant opposition (6°11' applying)
↣ North Node and Ascendant opposition (3°35' separating) antiparallel
↣ North Node and Midheaven trine (1°21' applying)
Birth data
- Chart date
- 02/07/1944
- Chart time
- 23:52
- Date and time quality
- A Memory what does this mean?
- Data origin
- Astro-Databank
- Location
-
Nérac, France - Latitude and longitude
- 44°08' North · 0°20' East
- Time zone
- 02:00 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Michel Polnareff is a French singer and songwriter who became a central figure in French popular music from the 1960s. Known for hits such as "La Poupée qui fait non" and "Love Me, Please Love Me," Polnareff blended pop and rock elements with a theatrical stage persona that influenced debates about the popular song in France. His musical training included piano in childhood and later learning guitar, and his early career featured notable collaborations, including guitarist Jimmy Page on his first recording.
Polnareff's career included artistic highs and personal and financial crises: assaults, the loss of his mentor Lucien Morisse, and embezzlement by his manager led him to go into exile in the United States in the 1970s. There he produced English-language work, composed soundtracks and maintained an international presence, including appearances on American charts.
His return to the French scene in subsequent decades included successful albums, major concerts and best-selling compilations; in 2007 he performed a free concert in Paris attended by a massive audience. His career has also been the subject of documentaries and autobiographies, and he continued releasing albums and touring, leaving a legacy of sonic innovation and performative image in the French musical landscape.
