Birth Chart

Michelangelo Antonioni

Sun Libra

Moon Taurus

Ascendant Gemini

Influences in signs

↣ Sun in Libra - 06°19' - in house 5

↣ Moon in Taurus - 16°00' - in house 12

↣ Mercury in Libra - 02°49' - in house 5

↣ Venus in Libra - 29°24' - in house 5

↣ Mars in Libra - 17°46' - in house 5

↣ Jupiter in Sagittarius - 10°20' - in house 6

↣ Saturn in Gemini - 03°57' - in house 12 - retrograde

↣ Uranus in Capricorn - 29°34' - in house 8/9 - retrograde

↣ Neptune in Cancer - 25°46' - in house 2

↣ Pluto in Cancer - 00°04' - in house 1

↣ North Node in Aries - 12°24' - in house 11

↣ Ascendant in Gemini - 26°52' - in house 1

↣ Midheaven in Aquarius - 28°56' - in house 10

↣ Equatorial Ascendant in Gemini - 03°07'

Influences in houses

↣ Sun in house 5

↣ Moon in house 12

↣ Mercury in house 5

↣ Venus in house 5

↣ Mars in house 5

↣ Jupiter in house 6

↣ Saturn in house 12

↣ Uranus in house 8/9

↣ Neptune in house 2

↣ Pluto in house 1

↣ North Node in house 11

↣ Ascendant in house 1

↣ Midheaven in house 10

Aspects

↣ Sun and Mercury conjunction (3°30' applying)

↣ Sun and Jupiter sextile (4°01' applying)

↣ Sun and Saturn trine (2°22' separating)

↣ Sun and Pluto square (6°15' separating)

↣ Sun and North Node opposition (6°05' applying)

↣ Sun and Equatorial Ascendant trine (3°12' applying)

↣ Moon and Saturn parallel

↣ Moon and Uranus antiparallel

↣ Moon and Neptune parallel

↣ Mercury and Saturn trine (1°08' applying)

↣ Mercury and Uranus trine (3°16' separating)

↣ Mercury and Pluto square (2°45' separating)

↣ Mercury and Equatorial Ascendant trine (0°18' separating) parallel

↣ Mercury and Ascendant square (5°58' applying)

↣ Venus and Uranus square (0°09' applying)

↣ Venus and Neptune square (3°38' separating)

↣ Venus and Pluto trine (0°40' applying)

↣ Venus and Ascendant trine (2°33' applying)

↣ Venus and Midheaven trine (0°28' applying) parallel

↣ Mars and North Node opposition (5°22' separating)

↣ Jupiter and Saturn opposition (6°23' separating)

↣ Jupiter and Uranus parallel

↣ Jupiter and North Node trine (2°04' applying)

↣ Jupiter and Equatorial Ascendant opposition (7°13' applying)

↣ Saturn and Uranus trine (4°23' applying)

↣ Saturn and Equatorial Ascendant conjunction (0°50' applying)

↣ Saturn and Midheaven square (5°01' applying)

↣ Uranus and Neptune opposition (3°47' applying) antiparallel

↣ Uranus and Equatorial Ascendant trine (3°33' separating)

↣ Pluto and Ascendant conjunction (3°13' applying)

↣ Pluto and Midheaven trine (1°08' applying)

Birth data

Chart date: 29/09/1912
Chart time: 21:45
Date and time quality: C Unknown source origin what does this mean?
Data origin: Astro-Databank
Location: Ferrara, Italy
Latitude and longitude: 44°50' North · 11°35' East
Time zone: 01:00 East

The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.

About

Michelangelo Antonioni was an Italian filmmaker whose work renewed the language of modern cinema by exploring alienation, the inability to communicate, and the existential emptiness of urban classes. Trained in economics and later trained at the Centro Sperimentale di Cinematografia, Antonioni rose to international prominence with L'avventura (1960), followed by La notte (1961) and L'eclisse (1962); these films, together with Il deserto rosso (1964), form a tetralogy focused on the tensions of modernity. His collaboration with actress Monica Vitti became emblematic, giving voice to female characters who are distant and disconnected from the world around them.

In 1966 he achieved wide recognition with Blowup, his first English-language film, which combined commercial success with aesthetic unease by questioning the perception of reality. Later works, such as Zabriskie Point and The Passenger, maintained his interest in landscapes and in long contemplative sequences that favor image over dialogue. Antonioni won awards at several international festivals, including Cannes, Venice and Berlin, and received an honorary Oscar in 1995.

Critics identify his style by long takes, dramatic silence and a camera that records the intimate decay of the bourgeoisie without romanticizing it. Even after a severe stroke in 1985, he remained active, collaborating on Beyond the Clouds (1995) and Eros (2004), solidifying a legacy of lasting influence on generations of filmmakers.

Michelangelo Antonioni

Birth data

About

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