Birth Chart
Raymond Queneau
Sun Pisces
Moon Sagittarius
Ascendant Sagittarius
Influences in signs
↣ Sun in Pisces - 01°22' - in house 2
↣ Moon in Sagittarius - 22°12' - in house 12
↣ Mercury in Aquarius - 05°37' - in house 1/2
↣ Venus in Pisces - 21°22' - in house 2/3
↣ Mars in Libra - 16°15' - in house 9 - retrograde
↣ Jupiter in Pisces - 00°12' - in house 2
↣ Saturn in Aquarius - 03°44' - in house 1/2
↣ Uranus in Sagittarius - 25°00' - in house 1
↣ Neptune in Cancer - 01°01' - in house 7 - retrograde
↣ Pluto in Gemini - 17°41' - in house 6 - retrograde
↣ North Node in Libra - 17°05' - in house 9 - retrograde
↣ Ascendant in Sagittarius - 29°20' - in house 1
↣ Midheaven in Scorpio - 01°58' - in house 10
↣ Equatorial Ascendant in Capricorn - 27°42'
Influences in houses
↣ Sun in house 2
↣ Moon in house 12
↣ Mercury in house 1/2
↣ Venus in house 2/3
↣ Mars in house 9
↣ Jupiter in house 2
↣ Saturn in house 1/2
↣ Uranus in house 1
↣ Neptune in house 7
↣ Pluto in house 6
↣ North Node in house 9
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Jupiter conjunction (1°10' separating) parallel
↣ Sun and Neptune trine (0°20' separating)
↣ Sun and Ascendant sextile (2°02' applying)
↣ Sun and Midheaven trine (0°36' separating) parallel
↣ Moon and Mercury parallel
↣ Moon and Venus square (0°50' separating)
↣ Moon and Mars sextile (5°57' separating)
↣ Moon and Saturn parallel
↣ Moon and Uranus conjunction (2°48' applying)
↣ Moon and Neptune opposition (8°49' applying)
↣ Moon and Pluto opposition (4°30' separating)
↣ Moon and North Node sextile (5°08' separating)
↣ Moon and Ascendant conjunction (7°07' separating)
↣ Mercury and Saturn conjunction (1°52' separating)
↣ Mercury and Equatorial Ascendant conjunction (7°54' applying)
↣ Mercury and Midheaven square (3°39' applying)
↣ Venus and Uranus square (3°38' applying)
↣ Venus and Pluto square (3°40' separating)
↣ Mars and Pluto trine (1°27' separating)
↣ Mars and North Node conjunction (0°50' applying)
↣ Jupiter and Uranus sextile (5°12' separating)
↣ Jupiter and Neptune trine (0°49' applying)
↣ Jupiter and Ascendant sextile (0°52' applying)
↣ Jupiter and Midheaven trine (1°46' separating) parallel
↣ Saturn and Equatorial Ascendant conjunction (6°02' applying)
↣ Saturn and Midheaven square (1°47' applying)
↣ Uranus and Neptune opposition (6°01' applying)
↣ Uranus and Pluto opposition (7°18' separating)
↣ Uranus and Ascendant conjunction (4°20' separating) parallel
↣ Neptune and Ascendant opposition (1°42' applying)
↣ Neptune and Midheaven trine (0°56' separating)
↣ Pluto and North Node trine (0°37' separating)
Birth data
- Chart date
- 21/02/1903
- Chart time
- 04:00
- Date and time quality
- AA Birth record cited what does this mean?
- Data origin
- Astro-Databank
- Location
-
Le Havre, France - Latitude and longitude
- 49°30' North · 0°08' East
- Time zone
- 00:01 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Raymond Queneau was a French writer and poet whose work moved between linguistic invention, formal experimentation and critical humor. Trained in philosophy with a period of study at the Sorbonne, he also worked as a reader and secretary at the publisher Gallimard and collaborated on wide-reaching editorial projects, placing him at the heart of the French literary avant-garde of the twentieth century.
The author of novels, plays, poems and essays, Queneau gained wide recognition with Exercises in Style, a work that demonstrates his inquiry into register variation by retelling the same anecdote in ninety-nine different versions, and with Zazie in the Metro, a text that innovated by incorporating colloquial speech into fiction and inspired Louis Malle’s film adaptation, an event close to the Nouvelle Vague. He also published Cent Mille Milliards de Poèmes, a combinatorial experiment in poetry.
A politically engaged intellectual with a critical stance, he had ambivalent relationships with Surrealism and Communism, taking part in cultural debates and literary collectives; he joined institutions such as the Académie Goncourt and served as a juror at the Cannes Film Festival. His legacy endures in his influence on literary linguistics, stylistic experimentation and the renewal of written French in the postwar period.
