Birth Chart
Suzanne Valadon
Marie-Clementine Valadon
Sun Libra
Moon Scorpio
Ascendant Libra
Influences in signs
↣ Sun in Libra - 00°13' - in house 1
↣ Moon in Scorpio - 05°58' - in house 2
↣ Mercury in Virgo - 12°22' - in house 12
↣ Venus in Leo - 23°37' - in house 11
↣ Mars in Libra - 15°34' - in house 1
↣ Jupiter in Sagittarius - 21°22' - in house 4
↣ Saturn in Libra - 29°14' - in house 2
↣ Uranus in Cancer - 03°48' - in house 10
↣ Neptune in Aries - 09°25' - in house 7 - retrograde
↣ Pluto in Taurus - 13°57' - in house 8 - retrograde
↣ North Node in Libra - 21°04' - in house 1/2
↣ Ascendant in Libra - 01°34' - in house 1
↣ Midheaven in Cancer - 01°56' - in house 10
↣ Equatorial Ascendant in Libra - 02°17'
Influences in houses
↣ Sun in house 1
↣ Moon in house 2
↣ Mercury in house 12
↣ Venus in house 11
↣ Mars in house 1
↣ Jupiter in house 4
↣ Saturn in house 2
↣ Uranus in house 10
↣ Neptune in house 7
↣ Pluto in house 8
↣ North Node in house 1/2
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Uranus square (3°36' applying)
↣ Sun and Neptune opposition (9°13' applying)
↣ Sun and Pluto antiparallel
↣ Sun and Equatorial Ascendant conjunction (2°05' separating) parallel
↣ Sun and Ascendant conjunction (1°22' separating) parallel
↣ Sun and Midheaven square (1°43' separating)
↣ Moon and Saturn conjunction (6°43' separating)
↣ Moon and Uranus trine (2°10' separating)
↣ Moon and Pluto opposition (7°59' applying)
↣ Moon and Midheaven trine (4°02' applying)
↣ Mercury and Pluto trine (1°35' applying)
↣ Mercury and North Node antiparallel
↣ Venus and Jupiter trine (2°16' separating)
↣ Venus and Saturn sextile (5°37' applying)
↣ Venus and North Node sextile (2°33' separating)
↣ Mars and Jupiter sextile (5°48' applying)
↣ Mars and Neptune opposition (6°08' separating)
↣ Mars and North Node conjunction (5°31' applying)
↣ Jupiter and Uranus antiparallel
↣ Jupiter and North Node sextile (0°17' separating)
↣ Jupiter and Midheaven antiparallel
↣ Saturn and Uranus trine (4°34' applying)
↣ Saturn and North Node conjunction (8°10' separating) parallel
↣ Saturn and Midheaven trine (2°41' separating)
↣ Uranus and Neptune square (5°37' applying)
↣ Uranus and Equatorial Ascendant square (1°31' applying)
↣ Uranus and Ascendant square (2°14' applying)
↣ Uranus and Midheaven conjunction (1°52' applying) parallel
↣ Neptune and Equatorial Ascendant opposition (7°08' applying)
↣ Neptune and Ascendant opposition (7°51' applying)
↣ Pluto and Equatorial Ascendant parallel
↣ Pluto and Ascendant antiparallel
Birth data
- Original name
- Marie-Clementine Valadon
- Chart date
- 23/09/1865
- Chart time
- 06:00
- Date and time quality
- AA Birth record cited what does this mean?
- Data origin
- Astro-Databank
- Location
-
Bessines, France - Latitude and longitude
- 46°18' North · 0°31' West
- Time zone
- 00:02 West
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Suzanne Valadon, born Marie-Clémentine Valade, was a post‑Impressionist painter and a prominent figure in the Paris art scene who influenced the shift toward the avant‑garde in the early twentieth century. A former acrobat and waitress in Montmartre, she became a model for artists such as Renoir and Toulouse‑Lautrec before beginning her own painting career under the guidance of Edgar Degas. Her entry into the arts included the first female admission to the Société Nationale des Beaux‑Arts, marking an important step for the visibility of women artists.
Her documented output, beginning in 1892–1893, blends influences from Pont‑Aven, Van Gogh and Matisse, and is distinguished by firm draughtsmanship, decisive color and frank depictions of the female nude. Works such as portraits and self‑portraits show an aesthetic that resists academic conventions and idealized views of the female body, offering images of physical presence and autonomy.
Mother of the painter Maurice Utrillo, Valadon left a legacy that has been reassessed by art historians and feminist scholars, who have been interested both in the modernist quality of her work and in her stance toward artistic gender norms. Institutional recognition has grown belatedly, with recent exhibitions reaffirming her importance in the history of modern art.
