Birth Chart
Anton Rubinstein
Anton Grigoryevich Rubinstein
Sun Sagittarius
Moon Capricorn
Ascendant Taurus
Influences in signs
↣ Sun in Sagittarius - 06°07' - in house 7
↣ Moon in Capricorn - 00°37' - in house 8
↣ Mercury in Scorpio - 21°47' - in house 7
↣ Venus in Capricorn - 21°26' - in house 10
↣ Mars in Scorpio - 01°01' - in house 6
↣ Jupiter in Sagittarius - 21°55' - in house 8
↣ Saturn in Leo - 18°10' - in house 5
↣ Uranus in Aquarius - 03°23' - in house 10
↣ Neptune in Capricorn - 18°46' - in house 9
↣ Pluto in Aries - 06°36' - in house 12 - retrograde
↣ North Node in Virgo - 25°42' - in house 6 - retrograde
↣ Ascendant in Taurus - 23°59' - in house 1
↣ Midheaven in Capricorn - 27°36' - in house 10
↣ Equatorial Ascendant in Taurus - 01°52'
Influences in houses
↣ Sun in house 7
↣ Moon in house 8
↣ Mercury in house 7
↣ Venus in house 10
↣ Mars in house 6
↣ Jupiter in house 8
↣ Saturn in house 5
↣ Uranus in house 10
↣ Neptune in house 9
↣ Pluto in house 12
↣ North Node in house 6
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Uranus sextile (2°44' separating) parallel
↣ Sun and Neptune parallel
↣ Sun and Pluto trine (0°29' applying)
↣ Sun and Midheaven parallel
↣ Moon and Mercury parallel
↣ Moon and Mars sextile (0°24' applying)
↣ Moon and Jupiter conjunction (8°41' separating)
↣ Moon and Pluto square (6°00' applying)
↣ Moon and North Node square (4°55' separating)
↣ Moon and Equatorial Ascendant trine (1°15' separating)
↣ Moon and Ascendant antiparallel
↣ Mercury and Venus sextile (0°21' separating)
↣ Mercury and Saturn square (3°38' separating) antiparallel
↣ Mercury and Neptune sextile (3°02' separating)
↣ Mercury and North Node sextile (3°54' applying)
↣ Mercury and Ascendant opposition (2°11' separating)
↣ Mercury and Midheaven sextile (5°49' separating)
↣ Venus and Neptune conjunction (2°41' separating)
↣ Venus and North Node trine (4°15' applying)
↣ Venus and Ascendant trine (2°33' separating)
↣ Venus and Midheaven conjunction (6°10' separating)
↣ Mars and Uranus square (2°23' applying)
↣ Mars and Equatorial Ascendant opposition (0°51' separating)
↣ Mars and Midheaven square (3°24' applying)
↣ Jupiter and Saturn trine (3°45' separating)
↣ Jupiter and North Node square (3°47' applying)
↣ Saturn and Ascendant square (5°49' separating)
↣ Uranus and Pluto sextile (3°13' applying)
↣ Uranus and Equatorial Ascendant square (1°32' applying)
↣ Uranus and Midheaven conjunction (5°47' applying) parallel
↣ Neptune and Ascendant trine (5°14' separating)
↣ Neptune and Midheaven conjunction (8°51' separating) parallel
↣ North Node and Ascendant trine (1°43' applying)
↣ North Node and Midheaven trine (1°54' separating)
Birth data
- Original name
- Anton Grigoryevich Rubinstein
- Chart date
- 28/11/1829
- Chart time
- 15:30
- Date and time quality
- DD Conflicting/not verified what does this mean?
- Data origin
- Astro-Databank
- Location
-
Rîbniţa, Moldova - Latitude and longitude
- 47°40' North · 29°00' East
- Time zone
- 01:56 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Anton Grigorevich Rubinstein was a Russian pianist, composer, and conductor whose work in the nineteenth century played a decisive role in institutionalizing musical education in Russia. Born to a Jewish family in the region now known as Transnistria, he received a European musical education and kept contacts with figures such as Chopin, Liszt, Mendelssohn, and Meyerbeer, which influenced his classical, conservative style.
In 1859 he founded the Russian Musical Society and, in 1862, the Saint Petersburg Conservatory — the country’s first music school — where he served as director and teacher until 1867; among his pupils was Tchaikovsky. His institutional activity was motivated in part by his criticism of the musical nationalism represented by the group The Five.
As a composer he was prolific: he left operas, oratorios, six symphonies, five piano concertos, chamber music, and vocal works. Works such as the opera The Demon, Piano Concerto No. 4, and Symphony No. 2 (“The Ocean”) were among his successes in life, although they later fell into relative obscurity in the face of twentieth-century trends. His legacy combines pianistic virtuosity, a pedagogical vocation, and a commitment to the European tradition.
