Birth Chart
Mirella Freni
Mirella Fregni
Sun Pisces
Moon Sagittarius
Ascendant Capricorn
Influences in signs
↣ Sun in Pisces - 07°36' - in house 2
↣ Moon in Sagittarius - 16°14' - in house 12
↣ Mercury in Aquarius - 19°17' - in house 2 - retrograde
↣ Venus in Aries - 01°22' - in house 3
↣ Mars in Libra - 24°37' - in house 10
↣ Jupiter in Scorpio - 23°07' - in house 10/11
↣ Saturn in Pisces - 01°31' - in house 2
↣ Uranus in Aries - 28°37' - in house 4
↣ Neptune in Virgo - 13°22' - in house 8 - retrograde
↣ Pluto in Cancer - 24°09' - in house 7 - retrograde
↣ North Node in Aquarius - 00°29' - in house 1
↣ Ascendant in Capricorn - 06°11' - in house 1
↣ Midheaven in Scorpio - 04°12' - in house 10
↣ Equatorial Ascendant in Capricorn - 29°46'
Influences in houses
↣ Sun in house 2
↣ Moon in house 12
↣ Mercury in house 2
↣ Venus in house 3
↣ Mars in house 10
↣ Jupiter in house 10/11
↣ Saturn in house 2
↣ Uranus in house 4
↣ Neptune in house 8
↣ Pluto in house 7
↣ North Node in house 1
↣ Ascendant in house 1
↣ Midheaven in house 10
Aspects
↣ Sun and Saturn conjunction (6°05' separating)
↣ Sun and Neptune opposition (5°46' applying) antiparallel
↣ Sun and Ascendant sextile (1°24' applying)
↣ Sun and Midheaven trine (3°24' applying)
↣ Moon and Mercury sextile (3°02' applying)
↣ Moon and Neptune square (2°52' separating)
↣ Mercury and Mars trine (5°20' separating)
↣ Mercury and Jupiter square (3°50' separating)
↣ Mercury and Saturn parallel
↣ Mercury and Midheaven parallel
↣ Venus and North Node sextile (0°53' separating)
↣ Venus and Equatorial Ascendant sextile (1°36' applying) parallel
↣ Venus and Ascendant square (4°49' separating)
↣ Mars and Uranus opposition (4°00' separating)
↣ Mars and Neptune antiparallel
↣ Mars and Pluto square (0°28' separating)
↣ Mars and North Node square (5°52' separating)
↣ Mars and Equatorial Ascendant square (5°09' separating)
↣ Mars and Midheaven conjunction (9°35' separating)
↣ Jupiter and Pluto trine (1°02' applying)
↣ Saturn and Uranus sextile (2°55' separating)
↣ Saturn and Ascendant sextile (4°40' separating)
↣ Saturn and Midheaven trine (2°41' separating) parallel
↣ Uranus and Pluto square (4°28' separating)
↣ Uranus and North Node square (1°52' applying)
↣ Uranus and Equatorial Ascendant square (1°09' separating)
↣ Uranus and Midheaven opposition (5°35' separating)
↣ Pluto and North Node opposition (6°20' separating)
↣ Pluto and Equatorial Ascendant opposition (5°37' separating)
↣ Pluto and Ascendant antiparallel
↣ North Node and Equatorial Ascendant conjunction (0°43' applying)
↣ North Node and Midheaven square (3°43' separating)
Birth data
- Original name
- Mirella Fregni
- Chart date
- 27/02/1935
- Chart time
- 04:00
- Date and time quality
- AA Birth record cited what does this mean?
- Data origin
- Astro-Databank
- Location
-
Modena, Italy - Latitude and longitude
- 44°40' North · 10°55' East
- Time zone
- 01:00 East
The data used to calculate the charts comes from public sources, as do the descriptive texts. We use sources such as Wikipedia.
About
Mirella Freni was an Italian lyric soprano whose five‑decade career placed her among the leading voices in the Verdi and Puccini repertoire of the 20th century. She became internationally known after performances at the Glyndebourne Festival and became widely regarded as an emblematic interpreter of Mimì in La bohème, a role she sang at La Scala, the Vienna State Opera and the Metropolitan Opera, and recorded for both audio and film, demonstrating her ability to act with naturalness and depth.
Over the course of her career she expanded her repertoire, moving from light roles by Mozart and Donizetti to more dramatic parts by Verdi and Puccini—such as Desdemona, Amelia and Aida—while maintaining a cautious approach to role selection in order to preserve her vocal integrity. She worked with conductors including Herbert von Karajan and with prominent singers such as Luciano Pavarotti and Nicolai Ghiaurov, whom she married.
In later years she devoted herself to teaching and to preserving bel canto through master classes and pedagogical initiatives in Vignola. Critics and audiences recognized her career as that of a prima donna of rare musicality and dramatic intelligence, leaving a legacy as a balanced interpreter and a master of Italian singing.
